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Chapter 1 of 35
周易参同契
Qian and Kun (Heaven and Earth, pure yang and pure yin, symbolizing the two fundamental forces of the cosmos) are the gateway of the I Ching (Book of Changes), the "parents" that give rise to the remaining sixty-two hexagrams. Kan (☵, Water, symbolizing yin containing yang within) and Li (☲, Fire, symbolizing yang containing yin within) constitute the supporting framework, much like the hub and axle of a wheel—the hub is hollow while the axle runs through it, revolving ceaselessly, driving the entire system into motion. These four hexagrams (Qian, Kun, Kan, Li) function like a giant bellows (tuóyuè)—with each inhalation and exhalation, they encompass the entire principle of yin-yang transformation.
This is akin to a masterful charioteer who holds the plumb line and ink marker to calibrate direction, grasps the bit and reins, proceeds according to established rules, and follows the ruts of the track—dwelling at the center while governing the exterior, with rhythms and measures entirely in accord with astronomical calendrics. 🌿
The thirty days of a month (five times six equals thirty) align with the movement of the sun, with the sixty hexagrams distributed across the thirty days—each day and night governed by one hexagram, with firmness and yieldingness (yang hexagrams and yin hexagrams) serving as exterior and interior, taking turns on duty. At dawn of the first day, the Zhun hexagram takes its turn, while at dusk the Meng hexagram assumes the post; day and night each govern one hexagram, rotating in sequence. Until month's end, the sixty hexagrams are exhausted, and the following month begins anew with the Zhun hexagram—thus cycling without end, like the periodic movement of sun and moon, with activity and stillness each having their proper times. 🌙
During spring and summer, yang energy flourishes within, and the hexagram qi moves from the Zi hour through Chen and Si (from midnight through morning, symbolizing the ascent of yang); during autumn and winter, yang energy operates outwardly, and the hexagram qi moves from the Wu hour through Xu and Hai (from noon through deep night, symbolizing the contraction of yang). Reward and punishment correspond to autumn's severity and spring's generation; darkness and light conform to the alternation of cold and heat; the texts of the hexagrams and lines embody the principle of benevolence and righteousness, manifesting joy and anger in accordance with the seasons. Thus aligned with the four seasons, the operation of the Five Elements (Wood, Fire, Earth, Metal, Water) finds its proper order and rightful place. 🍃
The core message of this chapter is: The hexagram system of the I Ching is not a static set of symbols but a dynamic model of cosmic operation. Qian and Kun are the gateway and foundation, Kan and Li are the mechanism of motion, and the sixty hexagrams are fine calibrations along the axis of time—the entire system depicts the rhythmic unfolding of "one yin, one yang—this is the Dao."
Wei Boyang encapsulates the key in five characters: "dwell at the center to govern the exterior." The Daoist concept of wuwei (non-action) does not mean inaction, but rather, like the charioteer, grasping the fundamental principle from the center and allowing external matters to follow their own natural rhythm. The rotation of the hexagram sequence, the waxing and waning of sun and moon, the succession of the four seasons—all are essentially manifestations of the same rhythm at different levels. ⛰
The greatest inspiration this passage offers to modern readers is: The world is not chaotic, but rhythmic and cyclical. The ancient conception of time was not "clock time" but "rhythmic time"—each day, each month, each season has a different hexagram on duty, meaning every period of time has its specific "character" and "appropriate undertakings."
This resembles the concept of "rhythm management" in modern time management theory: rather than forcing oneself to maintain the same state at all times, one should adapt to the rhythms of oneself and one's environment—moving when it is time to move, and resting when it is time to rest. Nurturing within during spring and summer, nurturing without during autumn and winter—alternating between tension and release throughout the year is the path to longevity. The anxiety of contemporary people largely stems from demanding that life follow "uniform linear motion," when life itself is "circular motion." 🌊
This text conceals a profound cosmological conception: Laws are not "principles" external to things, but the rhythms inherent in things themselves. Hexagrams are not "divination tools" but rather "naming" and "marking" devices for natural rhythms. This bears a striking resemblance to modern science's use of mathematical formulas to describe natural laws—the difference being that the I Ching employs an "image-number" system, emphasizing the revelation of interrelations within change, rather than precise quantitative prediction.
Another point worthy of deep reflection: "Cycling" does not equal "repetition." Each month begins anew with the Zhun hexagram, yet the overall environment in which next month's Zhun hexagram appears has already changed (the four seasons are shifting, the years are passing, people are transforming). This suggests that the Daoist notion of "returning to the origin" is not a simple return to the starting point, but rather returning to a new beginning along an ascending spiral. 🤔
Related Concepts:
Further Reading:
This content is based on classical Daoist texts and is provided solely for traditional cultural study and life reflection. It does not constitute religious, medical, or investment advice.