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Chapter 5 of 8
太清神鉴
Physical appearance cannot outweigh the cultivation of the inner mind, and the mind's dispositions must not remain obscured for long. When a person is driven by external things, they become trapped in their own deliberations; when seized by affairs, they err in their decisions. In the end, they invite calamity and regret, and then blame Heaven and others—such people are everywhere. Whenever I think of this, I cannot help but sigh.
Yet when facing matters and making decisions, there are seven dispositions of the mind that are commendable and seven that are reprehensible.
What are the commendable ones? First, loyalty and filial piety; second, equanimity; third, tolerance; fourth, purity; fifth, benevolence; sixth, constancy; seventh, uprightness and fortitude.
What are the reprehensible ones? First, hidden malice; second, depravity; third, hypercriticalness; fourth, arrogance; fifth, ruthless competition; sixth, flattery; seventh, carelessness and expediency. These all arise from differences in the mind's dispositions and manifest externally through distinct signs.
The ancients, in discussing the mind, were vigilant in choosing their dispositions. Someone asked: "The commendable and reprehensible dispositions of the mind each have their categories—can these be discerned from one's physical appearance?"
The answer is:
Those with dignified features and harmonious qi—loyal and filial; those with upright bone structure and calm complexion—equitable; those with broad brows and large eyes—tolerant; those with harmonious qi and a leisurely demeanor—pure; those with an open face and yellow glow at the nose's base—benevolent; those with a straight nose and settled spirit—constant; those with a grave, solemn, and archaic appearance—upright. One who possesses these seven physiognomic signs is commendable.
Those with fierce eyes and exposed spirit—dangerous; those with delicate coloring under the eyes—depraved; those with deep-set eyes and横 fleshy features—hypercritical; those with a look of indignation in the eyes—arrogant; those with restless eyes and mixed coloring—ruthlessly competitive; those with shifting gaze and a fawning smile—flattering; those with rough breath and a swaying body—careless and expedient. One who possesses these seven signs has an improper mind and is not to be commended.
If one sees flesh growing beneath the eyes, with yellow qi coiling around the Dragon Palace and Fortune Hall areas, this is a person of hidden virtue. A person of virtue treats things without partiality, faces affairs without attachment, and moves with the Dao in all comings and goings. Since nothing in the world can obstruct their spirit, how could there be any deliberate manipulation of the mind's dispositions? What is called "the mind's dispositions" is merely an encouragement for people to cultivate their own deficiencies. Acting with reverence and caution, one may return to goodness and thereby receive the great Dao. (The Yuguan Zhaoshen records the same "seven commendable" dispositions.)
How vast is the meaning of virtue! Heaven possesses great virtue, and thus the four seasons revolve and Heaven remains in its lofty position. Earth possesses supreme virtue, and thus all things grow and Earth remains in its deep foundation. Human virtue is likewise.
Therefore, the Way of Heaven protects such a person, and the hearts of the people turn toward them, enabling them to enjoy a long and glorious life. Able to be filial to parents, loyal to sovereigns, harmonious with others, and attuned to all things—virtue leads, and conduct follows. Even if one does not receive rewards in the visible world, one will surely receive the recompense of hidden virtue; even if it does not return to oneself, it will surely return to one's descendants.
Therefore, the skilled physiognomist first examines the virtue, then assesses the form. If virtue is excellent while appearance is ugly, that does not prevent one from being a gentleman; if appearance is pleasing while conduct is wicked, that person is ultimately a petty man.
Xunzi said: "Assessing the form is不如 assessing the mind; discussing the mind is不如 discussing virtue." This is a teaching that urges people toward goodness, and it also affirms that virtue comes first.
The physical form is like the material in a carpenter's hands. Though the material be fine, an unskilled craftsman will discard it, and it becomes useless wood. Likewise, though a person's appearance be handsome, if devoid of virtue, that beauty becomes empty, Heaven sends disaster, others bring harm, and misfortune is certain.
Thus we know: Virtue precedes the form; the form follows virtue. Better to have virtue with an ugly face than to have a handsome face without virtue.
The sages of antiquity regarded life as labor and death as rest. From this, they knew that coming and going are not within the grasp of the "self," and thus they could live or die freely—standing independent above all things, turning the cosmos within the great void. Why, then, should they cling to the appearances of life and death? When the spirit-medium of Zheng first saw the son of a certain man, he declared him beyond saving, yet in the end the man did not die but grew old. This illustrates that those of lesser understanding do not comprehend the great Dao; they are mired in worldly affairs, mistaking the illusory self for the real self, taking external things as the true self, delighting in life and loathing death.
When one's mind is entangled with anxieties anddelusions arise, the countenance transforms accordingly, allowing others to read judgments from the face. Thus, those with confused spirit die; those with agitated spirit die; those with floating spirit die; those with turbid essence die. Those whose words, actions, and demeanor all lose their constancy will die within a few dozen days. The assessment should be made according to the depth visible in the momentary signs, but должен not be treated as rigid dogma.
Alas! Life and death are matters of great importance. People lost in the world replace their features and лица over and over, drowning в sea of suffering without seeking to understand. Why do they not observe the signs of stillness, recognize their original nature, and verify each matter against reality? Without this, they cannot escape the cycle of birth and death and will endure endless suffering.
A white vapor at the center of the forehead towards the border regions—within the year calamity will strike, and one must urgently avoid it. Directly below, at the hall of prints, official matters arise; husband and wife will harbor thoughts of separation. Black approaching the earth section brings sorrow over a relative's illness; for a woman, difficult childbirth will ultimately be determined. If it enters the treachery gate from the nose bridge, she will be harmed by another woman's scheming for no reason. If it only comes to rest upon the seat itself, a document of good tidings will surely arrive.
Black at the center of the forehead seeks to be level; descending to both prisons, one will suffer the punishment of binding ropes. If it reaches the brow, the body will meet with illness; coming straight to the mouth, one dies by penal execution. A vapor like a crow's shadow reaching the cheekbones, suddenly arriving at both brows, portends death from worry. If it resembles a small belt across the brows, one's lifespan ends among men, with no offspring.
A round, bright yellow light seen at the center of the forehead—a scholar will surely be received by lords and marquises. For all ordinary men, it brings authority; the four seasons' color changes must be observed. Shaped like a bell or drum descending from the heavenly prison, ministers and dukes arrive of their own accord, honored with high emoluments. If it resembles a serpent's form at the star official's position, commoners who obtain it will advance in gold and jade. A suspended drum in the court hall signifies the image of a high minister; the vapor of silkworm threads brings office and emolument. If the color is yellow and lustrous, borne to life's end, this person will never fall into the pit of imprisonment.
The hall of prints shows yellow, a square inch bright—within eighty days one enters the court. Red here coming to the body portends loss of office; above it, loyal affairs can be managed. Fire color on the nose bridge worries over official disturbance; green coming to the brow year is accompanied by illness. White vapor in that year brings weeping; black vapor entering the mouth clearly signifies death.
The司空 (minister of works) yellow should open with the season—within fifty days, unexpected wealth arrives. Above to the hall of prints, it seals rank and emolument; like the sun's first rising, one assumes the position of an assistant minister.
The nose tip, red like scattered hemp—within eighty days there will be clamor. If one meets this vapor in public office, one will surely suffer beating and humiliation. White vapor reaching the cheeks signifies death within the year; one also knows the soul-tether will suffer empty fright. Black on both sides worries over parents; green and black, white mixed—loss of relatives by marriage.
Yellow in the philtrum is truly remarkable; reaching only to the brows, joy is extraordinary beyond measure. If it further runs across both cheeks, one will surely rise in honor to become a chief minister. Pity the medicine section giving rise to primal color—when illness appears, there is no need for a physician.
The天府 (heavenly mansion) yellow, shading, glossy, and moist—within thirty days one obtains heavenly talent. Shaped like slender willow shoots sprouting fine leaves, one enters the exalted hall and lines up at the phoenix terrace. If it be purple, red, glossy, and moist, joyful tidings come within the ten-day period.
Yellow of the阙廷 (watchtowers) ascending to the center of the forehead—great worship by lords and marquises occurs within the season. If it reaches the ministry headquarters with slight advancement and retreat, one is received from all directions into the imperial palace.
At the武库 (armory), purple and yellow like a suspended drum—the general's seal and sash are not illusory. If it stands or flies in to enter the counsels, one should not accept goods to dwell in idle leisure. The兵阑 (soldiers' railing) and armory are viewed alike—white light by day is pierced by blades. White vapor coming from outside brings terror and peril; yellow light going forth means the general gains added rank. Black vapor encountering troops brings death by entrapment; green light sent upward has no further consequences. Speech and breath change with the four seasons—this chapter's spiritual responses must be observed with care.
In all cases of observing a person's qi-color, one must do so at dawn, as the sky breaks, at the hour of rising, within a curtained chamber, discerning with a paper candle's light, in order to verify fortune and misfortune without error. If one observes from a place of eave-light with the face turned away from it, it is not the intrinsic qi-color. Still less should one look after washing the face, rinsing the mouth, or consuming soup or medicine—for then too, verification becomes difficult.
The initial qi-colors of the five organs rest in the heart during the early morning; therefore, observed at first light (early dawn), one can see the clear qi of the five organs and five colors ascending to the face. Inauspicious qi-colors, by contrast, arise on the face at indeterminate times—whether triggered by anger from encountering affairs, formed by sorrow or joy from moved sensations, altered to red or green by wine, or disturbed by effort and toil. These are not the colors of the original organs but momentarily excited manifestations, making fortune and misfortune hard to discern.
If one does not look during the morning or evening, one may have the subject sit still and collect his spirit for a long while before observing, so that indications may perhaps appear. If one does not mind the time, and looks amid drunkenness, rage, or after sweating without rest, then vain and volatile qi presents itself anew, and prior indications of fortune and misfortune are hard to obtain.
Green like a melon, yellow like wax, red like fire, white like lard, black like lacquer. These five are the standard colors, those most manifest in their emission.
The five organs give rise to:
First: Water. In things, water is essence (精); its organ is the kidneys; its spirit is Primordial Darkness (元冥); the color it emits is black; and it thrives in winter. When essence is complete, spirit follows.
Second: Fire. In things, fire is qi (气); its organ is the heart; its spirit is Cinnabar Prime (丹元); the color it emits is red; and it thrives in summer. When spirit arrives, soul follows.
Third: Wood. In things, wood is the soul (魂); the soul is a yang entity; its organ is the liver; its spirit is Dragon Smoke (龙烟); the color it emits is green; and it thrives in spring. When soul is present, the animal soul (魄) is paired with it.
Fourth: Metal. In things, metal is the animal soul (魄); the animal soul is a yin entity; its organ is the lungs; its spirit is Bright Bloom (皓华); the color it emits is white; and it thrives in autumn. When essence, spirit, soul, and animal soul are all complete, one's intention resides within.
Fifth: Earth. In things, earth is intention (意); intention is essential qi; its organ is the spleen; its spirit is Eternal Yellow (长黄); the color it emits is yellow; and it thrives in the four intercalary seasons.
Therefore all five colors appear upon the face, while resting in the five organs.
Determinations of grief and disgrace from the five colors:
The color of Qi arising from the Heavenly Mansion (天府), bean-sized, pierced through the hairline with a corresponding yellow, portends obtaining a command of vassal provinces.
Yellow light within the Hall of Prints (印堂) with one strand of purple entering like a bean—within a year there is a great court summons.
Yellow in the Heavenly Section (天部), connecting the Golden Coffer (金匮) and joining the Pure House and Way-Station (精舍道衡), and likewise circling and twining about the Flower Canopy (华盖)—portends the acquisition of military command, promotion with rewards of wealth, and the birth of a noble son.
Purple shaped like a young silkworm—one will be promoted in office, exalted in rank, or otherwise given their own command of a garrison.
If two horizontal yellows are on the cheekbones (颧骨), those who cross borders and leave will certainly find engagement within a few days they arrive.
If green emerges in front of the ear gate, descending to the Great Sea [place], one suffers minor fright. If black comes forth, there is news of mourning from within that should be anticipated.
Yellow upon the two enactments (法令, i.e., Lines of Rite/口) and connected to the whelk (准头)—unexpected fortune will arrive, expected within forty days. A further response at the Longevity section (寿上) may grant wealth in tens of thousands of strings.
Green at the mountain root (山根), passing through the corners of both eyes, indicates clandestine private office matters.
Purple descending directly from the center of the forehead twice as silkworm threads—within three to five months to half a year, one becomes an Assistant Minister (丞郎).
Green coming down from the heavenly courtyard (天庭), big as square beets, two inches hanging, a mark of mourning attire with a lay prelate(s) arriving by month's end.
Red at the earth portion, sized like a parasol seed—the portent precludes north and south in founding a military command.
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Yellow in the Heavenly Court area grants rank and land; a round radiant glow of great magnitude brings worship as a minister of state. If it extends further to the Year region and the Well-Stove department, one will be rewarded with high honors for one's merits. Or if it appears like the moon shining upon the Year region, one is certain to enter the imperial guard and attend the court. If it passes through the two towers, one will be summoned and appointed; the Golden Coffer will issue edicts bestowing silk and silver. Should it suddenly reach the court pavilions, one's office will rapidly advance; otherwise, one will gain abundant wealth. If it forms a dragon shape, one must receive rewards; if like suspended bells and drums, it presides over the Locust Court. If resembling silkworm threads, office is certain to be obtained; when spring comes to the Year region, joy and delight abound. The Armory gleaming with luster brings fortune to generals; it also portends celebratory joy arriving together with the Yang Ruler. The Mother's Tomb brings joy concerning fields and homesteads; moreover, parents will suffer few calamities and misfortunes. The Minister of Works gains treasures within a hundred days; the Right Bureau within summons by imperial decree. Double eyebrows with friends like chess pieces — within seventy days, one becomes Left or Right Vice Director. If it further crosses the Forest and Heavenly Court regions, being summoned as an Erudite brings the greatest glory. The Seal Hall like the moon within sixty days — one is appointed general to garrison a hundred cities. If it resembles linked swords extending from the Heavenly Court down to the tip of the nose with clear definition, one is judged to be a county magistrate who will suddenly be transferred and promoted, with senior officials assigned directly to the court. When the Fire constitution flares into brightness, much celebration and joy occur; it likewise speaks of distant tidings arriving hastily. The root of the nose facing toward hearing all that is said brings success; the Greater Yang will certainly gain wealth and celebration. The Lesser Yang has joys overlapping repeatedly; the Fish Tail brings good fortune guiding one forward. If appearing like a dragon shape seen in the Year region, with color connected to the Heavenly Court, one is worshiped as a high minister. Below the brows and eyes there are signs of children — yellow on the left bears sons, on the right bears daughters. For women there are reversals of the preceding pronouncements; the Golden Coffer denotes wealth within the household. On Longevity, willow-leaf patterns portend wealth entering; on Return, distant tidings arrive at the central courtyard. Emerging from the tip of the nose toward the Pavilion position — sudden nobility, enfeoffment as marquis, with equipage to ride. The Orchid Terrace will certainly obtain the seal of the Minister of Works; the Inner Kitchen receives wine and food with doubled favor. Safety is only fit for one who crosses rivers and streams; Sun and Moon reach the rank of the Three Dukes, with position illustrious and pure. The A-Granary delights in the fulfillment of oxen and horses. On the brow position a garden brings many good affairs; the Wine Vessel and wine and viands attain abundance and richness.
When the red color first arises, it is like fire just beginning to burn 🔥. At its peak, it blazes like crimson silk. When about to depart, it goes like a string of pearls receding in succession.
Its element is Fire. It flourishes in summer, is auxiliary in spring, imprisoned in autumn, and dies in winter.
When it manifests, it portends matters of public and private strife, litigation, and startling disturbances. If moist, it portends punishment and calamity. If fine and thin, it portends oral disputes and flogging. It responds on Tiger, Horse, and Dog days and on Snake and Goat days; within the decade cycle, then Dragon and Dog days, determined by the color.
Song of the Red Color's Auspicious and Inauspicious Signs
Red at the Heavenly Court connecting to the Brush Tip — mid-decade, chariot and horse alarms portend death. Descending to the Year region, contention and disaster; left and right, distant travel must be halted by illness. The Yang Ruler brings fear, calamity, and struggle; the Armory brings harm to friends, wife, and the wounded. The Heavenly Court must have worries of imprisonment; if seen at the Minister of Works, scolding and quarrels arrive. At the Friend position, friends seeking departure drive one away; holding office, one worries about superiors' punishments. Without office, one will certainly contend with the father's friends; on the forehead corners, if present, death by soldiers. The Seal Hall brings contention and being afflicted with imprisonment; if at the root of the nose, fear and alarm arise. The Greater Yang brings husband and wife seeking separation; the Year region bringing sudden calamity is also cause for grief. Yet it is also judged that she bears noble sons; in the bedchamber, the wife does not give birth to marquises. Three sons and three daughters suffer illness and distress; on Longevity, if like a bean, one contends with his wife. When the Year region and the tip of the nose are jointly afflicted by this, husband-wife contention is too difficult to clarify. At the Gate of Fate and A-Granary, death by soldiers is certain; at the tip of the nose, government affairs entangle one. Upon the Walls, wealth must be lost; outer roundness with purple attains office and glory. Military officers on patrol look at the Fish Tail; thieves and bandits being captured doubles the satisfaction. At the Ox Horn, calamities for oxen and horses. In the Forest, serpents and tigers cause alarm. If suddenly beneath the eyes, like silkworm threads emerging, from whence comes the sound of wife and children contending? The Golden Coffer and Gate of Lust invite troublesome affairs; the Chin Vessel portends drunken quarrels. The Pond and Well regions linked together — meeting wealth through water happens to satisfy. Seen upon the Fields, fields and land recede; entering across from the mouth, disaster comes to full birth. The Wine Vessel should meet with wine and meat; at the Earth Pavilion and field borders, litigation arises. In the Forest, one must beware of fire; moreover, within the household, loss of wealth is joined. From the Gate of Fate extending to the root of the nose, and furthermore crossing above the brows to the left ear level — only determined that within sixty days one dies by law; for women, afflictions of the right ear come frequently.
When the white color first arises, it is like white dust drifting. At its peak, like dispersed specks of greasy powder, or like white paper. When about to depart, like the scattering of ashes and grime.
Its element is Metal. It flourishes in autumn, is auxiliary in summer, imprisoned in spring, and dies in winter.
When it manifests, it portends weeping, mourning, and worry. If moist, it portends wailing and tears. If fine, worry is heavy; if floating, worry is light; if scattered, illness heals. It responds on Snake, Rooster, and Ox days; within the decade cycle, it responds in the Rat-Dragon and Dog-Tiger decades, and in the autumn months.
Song of the White Color's Auspicious and Inauspicious Signs
In the Heavenly Court, spring color comes to the Year region — battles and warfare cause sorrow. The Left Wing certainly portends worry and distress; the Yang Ruler will set forth traveling to outer provinces. Manifesting at the Gate of Lust is because of women; skin drying, entering prison, imprisoned within. It likewise portends men and women mutually harming through jealousy; at the Friend position, the wife must be sought by outsiders. Seen at the root of the nose, it portends worry and imprisonment; when men and women encounter it, death must bring grief. On Longevity, one is a prisoner — do you not see? In the hall, parents' death brings sorrow. The Gate of Fate and A-Granary bring urgency of misfortune; the Inner Kitchen's wine and meat cause injury and death. Encountered at the Chin Vessel, the body faces mourning; encountering it at the Great Sea indicates calamity by drowning. Whitish qi at the Seal Hall causes weeping for father and mother; if at the Gate of Fate, it concerns brothers. At the Gate of Lust, attracting it portends private movements; a horizontal line on the Middle Peak brings death in the family. In the Sun and Moon corners, grief over double mourning garments; at the Decree and Pond, injuries to feet and legs. A horizontal line beneath the eyes brings contention between husband and wife; at the tip of the nose, contention over fields and estates. At the Earth Pavilion, a horizontal covering portends loss of oxen and horses; if it intrudes upon Longevity, death of the father-in-law and mother-in-law. Entering the mouth distinctly, worry over oral disputes; in the Storehouse, thieves are numerous indeed.
When the black color first arises, it is like the tail of a crow. At its peak, like black hair receiving oil. When about to depart, like falling grime and residue.
Its element is Water. It flourishes in winter, is auxiliary in autumn, imprisoned in summer, and dies in spring.
When it manifests, it portends illness and calamity. If moist, it portends death or death by weapons. If dry and clouded, death in a foreign land; if scattered, portends recovery from illness. It responds on Monkey, Rat, and Dragon days; within the decade cycle, it responds in the Tiger decade and in winter months, with flourishing as the response.
Song of the Black Color's Auspicious and Inauspicious Signs
In the Heavenly Court, one must lose office and rank; suddenly at the cheekbones, like punishment by officials. If it further descends to the Year region, illness entangles and this body is lost. The Heavenly Prison at the Year region portends death in prison; at Height and Breadth, meeting it portends death from illness. When the Yang Ruler arrives, misfortune may be obtained; at the Heavenly Court, death as a guest in a foreign land. The Four Killers bring thieves who become fierce bandits; at the Minister of Works, illness and suffering entangle one. Born at the Right Bureau, worry over this position; double eyebrows are inauspicious for distant travel. On the forehead corners, expanding blackness is good for thievery; at the Seal Hall, relocating to another province is portended. At the root of the nose, death is certain within ten days; at the Greater Yang, illness and calamity bring worry. From the Prison to the eyes portends worry over imprisonment; entered at the Decree, death by strangulation in prison — the form divides into eight. Moreover, if green-blue responds at the brows, in broad daylight, drinking wine — one is drunk and killed. If at the eyes there is moreover red intermingled, within twenty days, litigation with bloodshed. Issued at the Outer Yang, one is robbed and assaulted by others; at the Year region, anxiety over death, afflicted by calamity and injury. For men, anxiety over the afflictions of men; for women, anxiety over the afflictions of women. On Longevity, entering the ear portends sudden death. Below the Gate of Fate at A-Granary, death by burning; at the tip of the nose, anxiety over illness, calamity coming from outside. When the three Yang regions manifest much black qi, loss of office and suspension of duty — troubling waves upon waves. If it further rises to the Year and Longevity regions, and there is black in the Heavenly Court, one meets Yama, King of Hell. Black qi entering the mouth, death in summer; at the cheekbones, brothers and wife run away. At the Gate of Lust, above all avoid women interfering; if the Sun Angle is visited, the wife also dies. In the Well region, black qi portends death by drowning; at the Seal Hall, luster departing — this is not false or mistaken. Horizontally flying across Longevity, guard against encountering disaster — within sixty days it must respond accordingly. Black qi on the forehead portends death of parents; born beneath the eyes, disaster for descendants. If seen descending to the Year and Longevity regions, naturally illness arises and one enters the dark path. Black qi from the three Yang regions to the Thieves' Gate — let none speak of dying as thieves and bandits. Moreover, seeing black qi at the tip of the nose — know that your wealth is broken without a door to avoid it. Black born at the wife region and the Year region — the wife's calamity and the body's misfortunes are not prosperity. Moreover, if it enters the Well and descends to the Pond, remember well the calamity of water — do not forget it in your heart. Black qi dimly scattering over the face and gates — in all four seasons, guard against small troubles. If it arises at the mouth and enters the qi stove and kitchen, one must surely encounter poison from poisoners. Black at the Heavenly Court, Year, and Longevity regions, moreover from the Earth Pavilion like smoke enveloping — again, like black color beginning to disperse — such a person within moments must certainly end his life. Between the brows, horizontally entering the left and right ears — within a hundred days the person is surely dead. At the Heavenly Brightness and Heavenly Well, beware of losing wealth; at the Courier Station, always guard against peril and falling. At the Tiger Horn, repeatedly encountering harm from tigers and dogs; in the Human Center and Well region, death in the water. At the Year, Longevity, and root of the nose, judged together; at the Earth Pavilion, contention over fields brings litigation and calamity. If it intrudes upon the Decree, one suffers public litigation; at the Great Sea, encountering it, servants and concubines run away. On the Walls, arising and joined with the Middle Peak — one is surely destined for the springs below, with weeping voices high.
When the purple color first arises, it is like rabbit's down. At its peak, like purple herbs. When about to depart, like faint smoke veiling withered water, dimly retaining the residual qi of earth and wood, being the nourishing qi of the four seasons' gestation.
It likewise flourishes in the four seasons, and furthermore has no rest or imprisonment. When it manifests, it is all auspicious, and its responsive days are likewise of the same significance as the yellow color.
Song of the Purple Color's Auspicious and Inauspicious Signs
Purple at the Heavenly Court, for eight divisions of the hour — at the Orchid Terrace and Moon Angle, gaining wealth frequently. Born at the Decree and meeting with seals and credentials — in the end, punishment and law will not reach this body. On Longevity, suddenly a single horizontal stroke — joy in the household with the new daughter-in-law clearly manifested. At the Gate of Heaven, the "river" character portends a general's emolument; at the Heavenly Well, a round pearl enjoys great glory. At the Yuanbi and Fortune Hall, know accumulated blessings; if at the Earth Pavilion, establishing a home and household. At the root of the nose, suddenly [purple] appears — in the end, one gains promotion; at the Courier Station, full vitality portends abundant joy. On the left of Yuanbi, promotion of office; in the Forest and Temple, joy and mutual need. At the Pond region, surplus fortune increases; a horizontal line on the Middle Peak brings nobility of itself.
The Ten Heavenly Nets are the baleful killing spirits of Heaven. Humans likewise have their corresponding manifestations:
The Jade Pipe Illuminating Spirit treatise also remarks: deep green-blue ones likewise portend death by mourning.
In all judgments of qi and complexion: should there suddenly appear above the forehead a qi like dust wiped on, it is called Yiwu Without Repair — death within sixty days.
Black qi rising continuously from the forehead to the hairline, or white qi with the form of an earthworm stretching horizontally, is called Linked Heaven Without Repair — death within two years.
Black qi on the left and right nostrils stretching across like tenuous vapor is called Hanging Rise Without Repair — death within no more than six days.
On the left and right beneath appearing like dusty black qi is called Spirit Light Body Defect — calamitous death within one year.
Under the chin, drifting like dust, traveling and connecting to the neck, is called Entangling Life Without Repair — death within eighty days.
On the Seal Hall, having red-white bloody traces is called Ruining Emolument Without Repair — death by extreme punishment within ninety days.
On the nose, suddenly rising like dust or like powder applied, is called Principle of Prison Without Repair — portending loss of position while holding office, death within three years.
On the left and right forehead drifting like dust rising is called Side-Traveling Without Repair — death within two years, wealth broken and six relatives separated by calamity.
In the left and right eyes suddenly having white qi penetrating the spirit light is called Disaster Spirit Without Repair — death within a hundred days.
Around the four sides of the mouth white circling about it is called Guardian Soul Without Repair — death within fifty days.
On the left and right ears suddenly appearing like dust forming two or three streaks is called Flying Heaven Without Repair — death by punishment in prison within a hundred days.
Behind the left and right ear wheels qi like powder is called Flying Heaven Without Repair — death within sixty days.
Behind the head, connected to the brain, white qi like dust flying up forming streaks is called Piercing Center Without Repair — death within thirty days, this is certain.
The five viscera have five qi, and the five qi each have their seasons. In the spring months, white qi entering the mouth or nose portends death. This obtains the color of imprisonment and death. All others follow this pattern.
In observing any sick person: green-blue color descending from above is easy to heal; rising from below and going upward is difficult to heal.
In ordinary conditions — sudden white from ordinary, sudden black from ordinary black, the ordinarily fat suddenly thin, the ordinarily thin suddenly fat, the spirit and soul ordinarily tranquil yet suddenly as if in a dazed haze like drunkenness, the complexion ordinarily green-blue yet suddenly turbid and dim as if darkened — these changes of insufficient constancy in abundance are entirely portents of sudden death.
In all persons,when beneath the eyes the five colors arise together, death comes within no more than ten days. Hair standing straight and brittle — death within no more than half a month. The countenance suddenly as liver-like in color, gazing upon it as also like the blackness of the green dragon — death within no more than three days. The four mounds manifesting black portend death. Horizontal black qi on the Year region portends death. Those who in the five destinies are undone and yet obtain the purple complexion are all persons who obtain the ghostly complexion for the dying.
1. Virtue is the foundation of physiognomy; form is the secondary expression of virtue
The core thought of Scroll Three establishes a clear value hierarchy: Virtue > Mind > Spirit > Qi > Complexion > Form. This fundamentally distinguishes it from the worldly practice of "judging people by appearance." Xunzi's dictum, "Reading form is not as good as reading the mind; reading the mind is not as good as reading virtue," is upheld as the guiding principle. This means that in the highest standards of traditional physiognomy, moral character is the fundamental basis for judging a person's destiny, with physical appearance being merely the external, secondary manifestation.
2. Spirit is the master of the physical form
"Spirit" (shen) is here defined as an invisible yet perceptible core of vitality. It is stored in the heart, manifests between the brows and eyes, and serves as the bridge connecting the inner spirit with the outer form. Sufficient spirit brings wealth and rank; deficient spirit brings poverty. This concept is akin to what modern psychology calls "mental state," "vitality," or "emotional energy," but the ancients endowed it with a deeper philosophical significance — spirit is of the same substance as the Great Void, functioning in the same way as Creation itself.
3. Qi and complexion constitute a dynamic signal system for fortune and misfortune
The five colors (green-blue, yellow, red, white, black) correspond to the five elements (wood, earth, fire, metal, water), each with its own patterns of flourishing, auxiliary, imprisonment, and death. The appearance and disappearance, depth and shallowness, thickness and thinness, dispersion and concentration of qi and complexion all have specific judgments of fortune and misfortune. This constitutes a highly systematized "facial color coding system" — from a modern perspective, it is essentially an attempt to correlate changes in the human physiological state (the relation of facial color to health, emotion, and stress) with predictions of destiny's trajectory.
4. Mind determines facial appearance
The seven commendable minds — loyalty, filial piety, equality, tolerance, purity, constancy in giving, uprightness — correspond to seven favorable facial features. The seven reprehensible minds — hidden wickedness, filth and depravity, hypercritical exactness, arrogance and boastfulness, competitive striving, sycophancy, and living for the moment — correspond to seven unfavorable physiognomies. This implies that long-term psychological states and behavioral patterns leave observable traces upon the face, resonating with modern psychology's concepts of "emotional muscle memory in facial expressions" and "micro-expressions and changes in facial appearance."
1. Transforming "moral physiognomy" into "psychological physiognomy"
The ancients said "virtue precedes form." Today this can be re-understood through modern psychology. Those with long-held good intentions and upright conduct, due to inner peace and lesser anxiety and hostility, genuinely tend to exhibit more "gentleness" and "dignity" in facial features. Conversely, those harboring long-term resentment and scheming ambition also tend to develop corresponding tenseness and harshness in facial musculature. This is not mysticism but the long-term sculpting of the facial muscles by psychological states.
2. "Sufficient spirit" and "deficient spirit" versus modern mental health
Descriptions of "sufficient spirit" — clear and lustrous eyes, stimulating and striking brilliance, magnanimous bearing, emotions not stirring the mind — are highly consonant with modern psychology's psychological resilience and emotional stability. Meanwhile, manifestations of "deficient spirit" — as if confused and hurried, often as if in fear, color initially fresh but afterwards dimmed, speech initially rapid but afterwards halting — closely resemble clinical descriptions of depressive states, anxiety states, or chronic fatigue syndrome in modern medicine.
3. Qi and complexion as physiological indicators
The ancients emphasized observing qi and complexion in the early morning, before washing and before eating — in effect striving for an undisturbed physiological baseline state. Regarding the emergence and disappearance of the five colors — blue portends grief, red portends disturbance, white portends weeping, black portends illness, yellow portends celebration — from a modern medical perspective, facial color can indeed reflect liver function (yellow-green), cardiovascular status (red), anemia (white), kidney function (black), and so forth. Though the ancient physiognomers lacked modern diagnostic instruments, they established through long-term observation an empirical facial diagnostic system.
4. "Mind" — an ancient model of personality assessment
The "Seven Acceptables" and "Seven Unacceptables" are in fact a personality trait classification system. Loyalty and filial piety, equality, and tolerance correspond to dimensions such as agreeableness and conscientiousness in modern personality psychology; while malice, fault-finding, and boastfulness are associated with the Dark Triad personality traits. The wisdom of ancient physiognomy lies in its belief that these internal traits inevitably manifest externally in physical appearance, making it possible to infer personality through facial features.
5. The Systematic Warnings of the Ten Heavenly Nets
The Ten Heavenly Nets (stagnant qi, mourning and weeping, worry and stagnation, illness, wine and food, lewdness, ruin, imprisonment, ghost concealment, and dispersal) are essentially a categorized list of facial danger signals. Presented in a table:
| Type of Heavenly Net | Facial Features | Symbolic Meaning |
|---|---|---|
| Stagnant Qi Net | Blackness rising over the entire face | Exhaustion of life energy |
| Mourning and Weeping Net | Whiteness spread across the face | Grief and loss |
| Worry and Stagnation Net | Greenish hue spread across the face | Depression and blockage |
| Illness Net | Abnormal yellowness | Deteriorating health |
| Wine and Food Net | Face as if smeared with grease | Excess in eating and drinking |
| Lewdness Net | Shifty eyes with rapid glances | Loss of control over desires |
| Ruin Net | Complexion scorched like fire | Declining fortune |
| Imprisonment Net | As if drunk or asleep | Listlessness and low spirits |
| Ghost Concealment Net | Incongruous laughter and speech | Mental disturbance |
| Dispersal Net | Qi like a dim mist | Waning of vital energy |
1. Facial Signals for Self-Awareness
Modern people can regard complexion observation as a supplementary means of self-health monitoring. A persistently sallow complexion, dark circles under the eyes, or a dull glabella may all be early warnings of health issues. Rather than viewing them as "omens of fortune or misfortune," it is better to understand them as signals sent by the body, prompting the need for health check-ups or lifestyle adjustments.
2. The Modern Practice of "Nourishing the Spirit"
"The noble person who is good at nurturing their nature does not let their qi become violent"—translated into modern language, this principle is emotional management. Not giving in to rage, anxiety, or restlessness, and maintaining emotional stability not only improves interpersonal relationships and decision-making quality but also influences one's overall mental and physical demeanor over the long term. When qi is not violent, the body is at ease; when the body is at ease, the spirit is whole—this is a positive cycle from emotional regulation to holistic health.
3. A Practical Guide to Cultivating the Mind
The "Seven Acceptables" (loyalty and filial piety, equality, tolerance, purity, generosity, consistency, and uprightness) remain instructive in the modern workplace and in interpersonal relationships. These qualities correspond to integrity, a sense of equality, open-mindedness, focus, altruism, reliability, and righteousness—all of which are universally recognized core leadership qualities in modern organizational behavior.
4. A Rational Attitude Toward "Physiognomic Determinism"
One point particularly worth noting in this volume is its repeated emphasis that "it is better to have virtue with an ugly appearance than a beautiful appearance without virtue." This means that even within the internal logic of traditional physiognomy, physical appearance is not an unchangeable fate. One's moral cultivation can transcend the limitations of one's innate physical form. This view offers modern people positive psychological暗示:The malleability of fate lies in inner cultivation, not in the constraints of external conditions.
5. The Scientific Implications of Observation Timing
The "Method of Complexion Observation" requires examining the complexion at dawn, before washing, eating, or drinking—this is in effect controlling variables: observing a person's physiological baseline state after excluding external interference (light, diet, emotional fluctuations). The methodological approach—observing under standardized conditions—is consistent with the principles of experimental design in modern scientific research.
1. "The Spirit Was Never Born, the Spirit Never Dies"—An Inquiry into the Nature of Life
The statement in this volume that "through transformation there is birth, yet the spirit was never born; through transformation there is death, yet the spirit never dies" touches upon a profound philosophical question: whether the essence of consciousness transcends the birth and death of the physical body. In the ancient view, the spirit shares the same substance as the Great Void—it is a manifestation of the Dao that neither arises with the birth of an individual nor perishes with their death. This notion subtly resonates with "panpsychism" in contemporary philosophy and certain theories of quantum consciousness. Of course, standardizing it as "the immortality of the soul" would be overinterpretation, but as a philosophical inquiry—"Is consciousness merely an epiphenomenon of matter?"—the question remains open to this day.
2. The Dialectical Relationship Between Virtue and Fate
"If it does not reach the person themselves, it will surely reach their children and descendants"—this is an important ethical assumption in traditional Chinese culture: the consequences of one's actions have transgenerational transmission. Today, we can understand this as: a person's moral conduct influences their social network and the environment in which their descendants grow up, and this environment in turn shapes the fate of later generations. This is not supernatural power but rather the result of the long-term and diffuse social consequences of moral behavior.
3. The Disenchantment and Re-enchantment of Life and Death
"The sages of antiquity regarded life as labor and rest, and death as repose"—this view treats birth and death as part of the natural rhythm, sharing common ground with modern existentialism's examination of death. Heidegger believed that only by confronting death squarely can one truly "exist." The sages of ancient China regarded life and death as a "coming and going," thereby attaining spiritual freedom. This attitude remains profoundly enlightening for modern people facing death anxiety and seeking meaning in life.
4. The Paradox of the Mind and Freedom
This volume holds that the mind influences facial appearance, and facial appearance can be observed to judge the mind—which seems to imply a form of determinism. Yet at the same time, it emphasizes that "the theory of the mind is meant to encourage people to improve upon their shortcomings," meaning that the purpose of this theory lies in urging people toward goodness. If everything were already predetermined by facial appearance, what would be the point of urging goodness? This internal tension actually reflects a core paradox in traditional Chinese destiny studies: acknowledging the trajectory of fate while emphasizing human agency. The path to resolution may lie in this: facial appearance reflects "past accumulations," while cultivation beginning from the present can change "one's future appearance." This is a dynamic and open attitude toward life.
5. The Five Colors, Five Elements, and Holistic Thinking
The correspondence of the five colors to the five elements, the five organs, and the five virtues (benevolence, righteousness, propriety, wisdom, and trustworthiness) constitutes a cosmos–body–morality correspondence system. This is a concrete manifestation of the "unity of heaven and humanity" (tianren heyi) in traditional Chinese culture: the human body is not an isolated biological entity but is interconnected with heaven, earth, and all things through the circulation of "qi." This holistic mode of thinking is being rediscovered and valued in contemporary ecological philosophy and psychosomatic medicine, offering an alternative perspective that transcends the mind–body dualism of the modern West.
| Concept | Meaning | Relevance to This Volume |
|---|---|---|
| Five Peaks and Four Rivers | Five raised areas of the face (forehead, nose, chin, left and right cheekbones) and four facial lines | Complexion emanates from the Five Peaks and Four Rivers |
| Six Spirits | Azure Dragon, Vermilion Bird, Gou Chen,螣 Snake, White Tiger, Dark Warrior | Six states of spiritual presence in the face |
| Six Virtues and Six Delusions | Six virtues and six types of ignorance | When the spirit is clear, the six virtues abound and the six delusions diminish |
| Turtle Breathing | Soundless breathing, resting without panting | The respiratory characteristic of a longevity appearance |
| Five Colors' Prosperity, Phase, Rest, and Decline | The varying strength of the five element colors across seasons | The temporal framework for judging the fortune of complexions |
| Nose Tip | The tip of the nose | A key position for complexion activation and judgment |
| Celestial Court | The upper forehead area | Observation point for official rank and status |
| Yintang | Between the eyebrows | The core area for judging fortune and misfortune |
| Lingtai | The mind/consciousness | The vessel of the mind, referenced in the original as "my Lingtai" |
1. Facial Appearance and Health
Contemporary medical research has demonstrated that facial features can indeed reflect certain health conditions. For example: a jaundiced complexion is associated with hepatobiliary diseases; eyelid edema may be related to kidney function; and facial puffiness may be associated with cardiovascular problems. This provides a certain physiological basis for the "complexion observation" in traditional physiognomy.
2. Micro-expression Research and the Observation of "Spirit"
Research on micro-expressions by American psychologist Paul Ekman has proven that a person's inner emotions produce brief and difficult-to-control facial expressions. This has methodological similarities with the Chinese physiognomic observation that "the spirit is stored in the heart and manifests between the brows and eyes": both attempt to infer inner psychological states through facial expressions.
3. The Relationship Between Personality Traits and Long-Term Facial Appearance
In recent years, some studies have found that there may be correlations between long-term personality traits and facial features. For example, people who smile frequently develop specific lines in their facial muscles; people with chronic anxiety may develop vertical wrinkles between the brows. This resonates with the traditional physiognomic concept that "the mind is visible in physical form." Although modern research does not support the conclusion that "facial appearance determines destiny," the directional relationship that "personality shapes facial appearance" does have some empirical basis.
4. Color Psychology
The five-color system of fortune and misfortune can be re-examined within the framework of color psychology. Modern research shows that different colors elicit different psychological and physiological responses. The traditional physiognomic distinction between "yellow qi as auspicious" and "black qi as inauspicious" may be partly derived from humans' evolutionary preference for healthy skin tones over pathological ones—healthy skin tends to be yellowish-moist and lustrous, while pathological skin tends to be dark gray or pallid.