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Chapter 2 of 10
五禽戏
This chapter discusses the "origins" and transmission trajectory of Wuqinxi, which can be summarized into three main threads:
The Germination of Ancient Imitative Dao Yin
In ancient times, the Central Plains region suffered from frequent floods and pervasive dampness, causing many people to experience joint stiffness and body heaviness. Our ancestors then created "dances" to unblock the body and guide qi and blood. This method of "using dance to guide" represents the early form of ancient Dao Yin (a health cultivation practice that uses body movements combined with breathing to guide qi and blood). Similar records appear in the Lüshi Chunqiu - Ancient Music Chapter ("Master Lü's Spring and Autumn Annals - Ancient Music").
Such "dances" were often associated with imitating the movements and bearing of birds and beasts. Both ancient texts and archaeological finds provide supporting evidence.
Corroboration from "Zhuangzi" and the Mawangdui "Dao Yin Tu"
The Zhuangzi states: "Chui (exhaling), Xu (inhaling), expelling the stale and taking in the fresh, bear-hanging and bird-stretching—all this merely aims at longevity." This means that through conscious breathing exercises—expelling stale air and drawing in fresh air—combined with movements imitating a bear climbing a tree and birds stretching, the goal is to nurture life.
Among the 44 figures depicted on the silk manuscript Dao Yin Tu ("Dao Yin Chart") excavated in 1973 from Tomb No. 3 of the Han Dynasty at Mawangdui in Changsha, Hunan, many postures imitating animals can be seen, such as "Dragon Ascending," "Hawk Back," and "Bear Hanging." One can also identify forms imitating monkeys, cats, dogs, cranes, swallows, and leopards or tigers pouncing on prey. This indicates that imitative Dao Yin was already quite prevalent around the Han Dynasty period.
Hua Tuo's Creation of Wuqinxi and the Evolution of Later Texts
The earliest record of Hua Tuo's creation of Wuqinxi appears in Chen Shou's Sanguozhi - Biography of Hua Tuo ("Records of the Three Kingdoms") from the Western Jin Dynasty: "I have one method, called the Play of the Five Animals: the first is the Tiger, the second is the Deer, the third is the Bear, the fourth is the Monkey, and the fifth is the Bird. It serves to eliminate illness, benefit the limbs and feet, and serves as Dao Yin." Fan Ye's Hou Han Shu - Biography of Hua Tuo ("History of the Later Han Dynasty") from the Southern Dynasties contains essentially the same record.
This passage indicates that the Wuqinxi transmitted by Hua Tuo included five imitative animal movements—Tiger, Deer, Bear, Monkey, and Bird—and that ancient people believed it could eliminate disease and benefit the legs and feet, classifying it as a Dao Yin practice.
However, early records preserved only the names and order of the animals without specific movements. Tao Hongjing's Yangxing Yanming Lu ("Nurturing Life and Extending Life Records") from the Southern Dynasties was the earliest to describe specific Wuqinxi movements in writing. Since this text was written approximately three hundred years after the end of the Eastern Han Dynasty, it may be relatively close to Hua Tuo's original method, though the movements were quite demanding.
During the Ming and Qing dynasties, works such as Zhou Lujing's Yimen Guangdu - Chifeng Sui ("Brocade Album of Lord Yi - Marrow of the Red Phoenix"), Cao Wuji's Wanshou Xianshu - Daoyin Pian ("Immortal Book of Ten Thousand Longevities - Daoyin Chapter"), and Xi Xifan's Wuqin Wu Gongfa Tushuo ("Illustrated Manual of the Five Animal Dance Exercises") provided illustrated and detailed records. However, these differ considerably from the Yangxing Yanming Lu: the five animal movements mostly became single postures, the order changed to Tiger, Bear, Deer, Monkey, Bird, and the texts not only described movements but also emphasized bearing/spirit and qi-blood circulation. These documents provide important reference material for later generations studying Wuqinxi.
Related Concepts
Further Reading