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Chapter 2 of 102
Shen Feng Tong Kao — Comprehensive Study of Destiny
The Five Elements—Metal, Wood, Water, Fire, and Earth—originally stemmed from the cosmic generative sequence: "Heaven generates Water first, Earth generates Fire second," arranged in the order of Water (1), Fire (2), Wood (3), Metal (4), and Earth (5). Later generations forced far-fetched interpretations, fabricating mnemonic chants for the Na Yin Five Elements, such as "Sea Gold," "Stove Fire," "Forest Wood," and "Roadside Earth," to facilitate memorization and transmission. However, it is absurd that these groundless claims were established as formal doctrines, as seen in books like San Che Yi Lan and Wang Dou Zhen Jing. Instead of basing judgments on actual astrological patterns and life circumstances, these works rely on fanciful metaphors like rivers, mountains, stones, wind, rain, thunder, and lightning to discuss fate. Even more fallacious is their use of the Chinese zodiac to determine fortune or misfortune!
The original intent of the zodiac was to symbolize the characteristics of the earthly branches through twelve animals, each lacking one trait (e.g., the rat lacks light, the ox lacks teeth). This has no connection to an individual's Eight Characters (Bazi). To judge fate based solely on the earthly branch of the birth year is like grafting flesh onto skin—it disrupts the flow of energy and blood. For example, consider the fate of Tan Erhua, a high-ranking official from Yihuang County: Geng Chen, Jia Shen, Ding Wei, Bing Wu. His destiny was strong with a weak "Kill" element, and he achieved nobility by entering a period where the "Kill" element flourished. This aligns with proper astrological principles. Conversely, if one absurdly claims that his zodiac sign (Dragon) meeting Ding Wei and Bing Wu constitutes a "Dragon in the Heavenly River," suggesting that a dragon encountering water brings extreme nobility, how then does one explain the extreme poverty of another individual with the same birth year and month (Geng Chen, Jia Shen, Gui Hai, Gui Hai)? The latter's poverty stemmed from an excess of Water, which worsened when he entered a Water-dominated period, leading to destitution. If roosters, dogs, pigs, and sheep zodiac signs can also produce noble destinies, how can such theories hold water? Clearly, both approaches are flawed.
The Five Stars Guide records mystical煞 (Sha) such as "Broken" and "Devouring," as well as child关煞 (Guan Sha) like "Thunder God," "Golden Lock," and "Broken Bridge." These concepts use a single birth year character to predict life and death, terrifying parents while completely ignoring the principles of mutual generation and restraint in the Eight Characters. Even proper astrological principles are not 100% accurate—how much less reliable are these baseless claims that determine life or death based on a single character?
Lü Cai's Marriage Compatibility Book is equally unreasonable. Marriage is ultimately a matter of fate, and parents select matches out of love for their children: men seek women with strong "Husband and Son Stars," while women seek men with balanced Eight Characters. The prohibitions listed below are pure fallacies. Commonly referred to as "barbarian scriptures," these may have been fabricated in ancient times to reject marriages with outsiders.
Concepts like "Marrow Broken," "Iron Broom," "Six Harms," "Great Defeat," "Disorder," "Eight Defeats," and "Solitary Void" arbitrarily link fortune and misfortune to earthly branches, spreading fear through rigid interpretations. Foolish couples believe these claims, while wise individuals who debunk them are met with suspicion—a classic case of "one dog barks at a shadow, and a hundred bark at the sound." If one's Eight Characters are inherently imbalanced and further burdened by these fallacies, the ignorant blame the mystical煞 without understanding the essence of astrological principles.
Claims such as "bringing wealth" or "losing wealth," "widowhood before marriage," and "harming spouses" judge fortune based solely on the Na Yin character of the birth year, ignoring the day and hour pillars. Destiny and misfortune require a complete Four Pillars analysis—how can the fate of others determine one's own fortune? The idea of "losing wealth for nine or ten years" is particularly absurd. The concept of "Golden Chariot禄 (Lu)" prohibiting certain characters for men is equally misleading.
For female destinies, "Eight Defeats" and "Peach Blossom Sha" are considered prohibitions: "Eight Defeats" claims that those born in the months of Hai, Wei, or Xu are doomed if born in March, regardless of their day and hour pillars or the status of their Husband and Son Stars; "Peach Blossom Sha" suggests that those born in Yin, Wu, or Xu encounter nudity implications when Fire bathes in Mao Water. In reality, there are numerous cases of women with "Eight Defeats" who achieve wealth, nobility, and fulfilling marriages. Some parents even alter their daughters' birth records, only revealing the truth on their deathbeds. The core of a female destiny lies in the Husband Star: the controlling element (官, Guan) represents the husband. If the self is restrained, it signifies chastity and tranquility; wealth supports the husband, while resource depletion harms him. An excess of Husband Stars becomes a flaw, requiring resource depletion to balance—the key is harmony. Without a husband, there can be no son, as the son derives from the husband. For example, consider the female destiny of Ms. Huang: Ji Wei, Ding Chou, Jia Yin, Jia Zi. She used the Xin Metal in Chou as her Husband Star, but it was disrupted by the Ding Fire in Wei. When Ding emerged and Bing advanced, the husband weakened while control strengthened. It was predicted that she would die in the Yin month, which proved accurate.
The concept of promiscuity also has some basis: if the self is strong but lacks a husband or wealth, vitality becomes unrestrained; or if the self is weak with excessive uncontrolled官杀 (Guan Sha), submission to the杀 (Sha) may bring wealth but subservience, while resistance may lead to a life of servitude or prostitution. These are flaws in the Eight Characters, not the fault of Peach Blossom Sha.
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| Stem-branch set | Set 1 | Set 2 | Set 3 | Set 4 | Set 5 | Set 6 | Set 7 | Set 8 | Set 9 | Set 10 | Set 11 | Set 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Stem | G | n | C | e | J | a | h | n | i | g | e | B |
| Branch | e | g | h | n | i | S | e | D | n | W | i | i |
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| Stem-branch set | Set 1 | Set 2 | Set 3 | Set 4 | Set 5 | Set 6 | Set 7 | Set 8 | Set 9 | Set 10 | Set 11 | Set 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Stem | G | n | C | e | J | a | h | n | u | H | i | u |
| Branch | e | g | h | n | i | S | e | G | i | a | G | i |
Embedded chart
| Stem-branch set | Set 1 | Set 2 | Set 3 | Set 4 | Set 5 | Set 6 | Set 7 | Set 8 | Set 9 | Set 10 | Set 11 | Set 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Stem | J | W | i | i | g | h | u | i | Y | n | i | Z |
| Branch | i | e | D | n | C | o | J | a | i | J | a | i |
Please translate the above content into English, maintaining the original format and structure.