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Chapter 4 of 338
San Ming Tong Hui — Comprehensive Guide to Destiny
The discussion of the Sixty Jiazi Nayin in San Ming Tong Hui originates from the ancient cyclical generation principle of the sixty musical tones, which aligns with the Nayin theory in the Book of Changes: the heavenly stems begin with Jia (belonging to Yang) and end with Gui (belonging to Yin); Nayin begins with Metal (symbolizing the strength of heavenly stems) and ends with Earth (symbolizing the softness of earthly branches). Among the Five Elements, only Metal can be forged into instruments to produce sound, hence Nayin starts with Metal as the beginning.
The calculation of Nayin follows the musical generation rule of "like marrying like, skipping eight to give birth." For example:
The "formation through transformation" principle revealed by Nayin points directly to the essence: adversity (exhausted ground) is precisely the pivot of transformation. Just as Metal requires Fire to refine into a useful object, modern individuals' core competitiveness is also reshaped through challenges.
| Related Concepts | Explanation |
|---|---|
| Nayin in the Book of Changes | Assigning stems and branches to the Eight Trigrams, e.g., Qian encompassing Jia and Ren |
| Twelve Musical Pitches | Ancient musical tone standards, divided into six Yang and six Yin pitches |
| Five Elements' Flourishing, Active, Resting, Trapped, Dead | Energy states affecting the degree of "formation" |
Further Reading:
Modern Research:
Since no specific Bazi case appears in the original text, component tags are omitted here.