Loading...
Chapter 1 of 10
易隐
The art of divination by milfoil is a vehicle through which reclusive gentlemen express their thoughts and ideals. 🌿 In times past, Yan Junping practiced divination in the marketplace of Chengdu, teaching filial piety to sons, obedience to younger siblings, and loyalty to ministers. Those of discernment believed he truly grasped the original intent of the founder of divination—as if he had ascended the very hall of Taihao (Fuxi) and received instruction in person.
The sages of antiquity, insofar as truths could be directly spoken to people, never failed to expound them exhaustively; yet for deeper meanings that could not be proclaimed openly to the world, they invariably relied upon some vehicle to carry them forth. Later gentlemen, failing to discern this underlying purpose, regarded divination merely as a minor art for predicting fortune and misfortune, considering it beneath the attention of those devoted to righteous principles. This is indeed a grave confusion. 🤔
My friend Cao Hengqin, inheriting the teachings of his father You Nanzi, grieved that the masses remained lost in delusion without awakening, and lamented that the art of milfoil divination was declining in his age. He therefore traced upward to the ancient methods of Lianshan and Guicang, drew downward upon the theories of Jing Fang and Jiao Yanshou, reached sideways into Lu Ren (Six Ren) and Qi Men Dun Jia, and broadly gathered divination verses of every kind, composing the work Yi Yin in over one hundred thousand characters.
Ah, how truly comprehensive! 🌊 Though images and numbers transform in myriad ways, the principle behind them remains constant; though the nines and sixes differ, their essential purport is one and the same. The Supreme Ultimate is one; the fifty stalks of the Great Derivation are one; the three hundred sixty days are one; the four thousand ninety-six hexagram transformations are one; and extending from this to countless billions of numbers, it is merely one principle. Even extending to the profundity of heaven and earth, the multitude of all things, and the vastness of the Three Graves, Five Canons, Eight Suo, and Nine Qiu, all are encompassed within this single principle.
The Commentary on the Changes says: "Through change and transformation, auspicious events yield omens; by observing images one knows the instruments; by consulting divination one knows the future to come." It also says: "Heaven and earth have their positions fixed; the sage fulfills their capabilities. Both human counsel and ghostly counsel are consulted, and even the common people participate in these capabilities." Is there any other mystery within the sage's attainment of these? It is but unification under the single word "principle."
From this perspective, how can we know that Li Zi's divination of music, Zhao Meng's divination of timeliness, Xiang Zhong's divination of speech, Ziyou and Zixia's divination of bearing, Shen Yin's divination of governance, and Kong Chengzi's divination of ritual—how can we know these are not all subsumed within Hengqin's divination by milfoil? Through this, I recognize that Master Cao is truly a hidden gentleman.
— Written by Xie Sanbao of Gouzhang
This preface reveals three key propositions:
First, the essence of divination is as a vehicle of thought, not merely a tool for prediction. Through the allusion to Yan Junping, Xie Sanbao makes clear that the true master of divination does not simply announce fortune or misfortune, but uses the occasion of consultation to enact moral instruction, guiding the inquirer with ethical values such as filial piety, obedience, and loyalty. Divination is "that which reclusive gentlemen use to entrust their thoughts"—a medium for conveying ideas, not a minor technique of auspice.
Second, the ontological framework of "one principle uniting all." The preface repeatedly emphasizes the concept of "oneness": from the oneness of the Supreme Ultimate, to the forty-nine stalks of the Great Derivation, the three hundred sixty days, the four thousand ninety-six hexagram transformations, and then extending to heaven and earth, the multiplicity of all things, the classical canons and treasuries—all are governed by a single "principle." Images and numbers may undergo endless variation, but the principle behind them is singular and unchanging.
Third, the transmission lineage of the divination tradition. The preface traces the academic river from Lianshan and Guicang, through Jing Fang and Jiao Yanshou, into Lu Ren and Qi Men, ultimately converging in Cao Hengqin's Yi Yin, presenting a knowledge genealogy of "synthesized completion."
Examining this preface from a contemporary perspective yields several points worthy of deeper reflection:
The ethical turn of divination: Yan Junping's use of divination to enact moral teaching effectively transforms divination from a "predictive science" into a "behavioral guidance discipline." This bears remarkable resemblance to modern psychological counseling methods of "entering through the client's issue to guide reflection." Here, divination does not provide answers but rather opens dialogue and guides thought. 🌱
The cognitive framework of "one principle, manifold manifestations": The preface's thesis that "a single principle governs the myriad phenomena" resonates spiritually with modern science's pursuit of unified theories. From Newtonian mechanics to quantum mechanics, from molecular biology to complexity science, modern knowledge systems similarly seek unified explanations behind diverse phenomena. The proposition that "images and numbers change while the principle remains constant" can be understood contemporaneously as: specific data and models may change, but underlying laws possess constancy. 🔬
The vision of interdisciplinary integration: The compilation approach of Yi Yin—tracing ancient methods above, incorporating new theories below, and reaching into allied arts sideways—is fundamentally a form of interdisciplinary knowledge integration. This resonates strongly with the interdisciplinary research methods advocated in contemporary academia. Cao Hengqin was not satisfied with any single divination method; rather, he integrated Lianshan, Guicang, Jing-Jiao, Ren-Jia, and various other traditions into a unified whole, embodying a spirit of "synthesized innovation."
The repositioning of divination: In modern application, divination should not simply be viewed as a predictive tool, but rather as a supportive framework for decision reflection. When facing choices, divination can be treated as a process of "proposing hypotheses—analyzing conditions—assessing possibilities—reviewing and validating." The Yan Junping model reveals that the value of divination lies in guiding people back to ethical fundamentals, not in making decisions on their behalf.
The mental discipline of "one principle uniting all": The preface's emphasis on unification may be used to cultivate systematic thinking abilities. When confronting complex problems, one might ask: Is there a common driving factor behind all the variables? Is there a unified explanatory framework for seemingly unrelated phenomena? Such thinking methods hold practical value in business analysis, academic research, and daily decision-making alike.
The wisdom of the recluse: Cao Hengqin as a "hidden gentleman" reminds modern people to preserve independent thinking space in an age of information overload. True knowledge workers often need to find balance between "engagement with the world" and "withdrawal from it," perceiving the essence of things with the clarity of an observer.
At its depths, the preface embodies a fundamental philosophical proposition: the relationship between the form and substance of knowledge.
Images and numbers (the form of knowledge) transform endlessly, while principle (the substance of knowledge) remains constant. This proposition carries meaning in contemporary epistemology as well: while academic disciplines grow ever more refined and data and models are continuously updated, humanity's fundamental questioning of cosmic laws remains unchanging. Form may multiply without limit, while substance always points to the same.
Even more worthy of consideration is the dialectic between the "hidden" and the "manifest": sages "cannot proclaim truth directly to the world, so they must borrow some vehicle to enact it"—the transmission of truth sometimes requires metaphor, symbolism, and indirect means. This connects with contemporary philosophical discussions of "the ineffable": certain deep wisdom cannot be fully expressed through direct propositions, but must be conveyed through indirect, symbolic media. Divination is precisely such a medium.
Xie Sanbao's preface, on the surface, introduces the book Yi Yin; in truth, it vindicates the entire tradition of Change divination: it is not a minor art of prediction, but a symbolic system carrying "principle." This defensive stance still resonates in an age dominated by modern scientific rationality—how to preserve the intellectual wisdom and ethical concern embedded in the divination tradition while demythologizing it remains a challenge for contemporary researchers.
| Concept | Explanation |
|---|---|
| Yan Junping | A reclusive scholar of the Western Han dynasty, named Zun, courtesy name Junping, a native of Chengdu, Shu. He supported himself through divination, casting fortunes for only a few clients daily, using the occasion to enact moral instruction. He authored Referential Guide to the Dao De Jing, and was among the representative figures of Han-dynasty Daoist thought. |
| Lianshan / Guicang | Two of the "Three Changes" of antiquity. Lainshan is traditionally attributed to the Xia dynasty, taking the Gen (Mountain) hexagram as its first; Guicang is attributed to the Shang dynasty, taking the Kun (Earth) hexagram as its first. Only reconstructed fragments survive. |
| Jing Fang & Jiao Yanshou | Jing Fang (77–37 BCE), a Western Han Change scholar, creator of the Eight Palace hexagram system and Najia method; Jiao Yanshou (approximately 70–10 BCE), author of the Yi Lin (Forest of Changes). Both exerted profound influence on later image-number Change scholarship. |
| Lu Ren / Qi Men | Lu Ren (Six Ren) employs the Heavenly Stems and Earthly Branches in matched configurations for divining human affairs, one of the three ancient "Supreme Arts"; Qi Men Dun Jia coordinates Nine Palaces and Eight Trigrams with spatiotemporal maps for application in military, timing, and other fields. |
| Milfoil Divination | The practice of deriving hexagrams and their lines through shifts of yarrow stalks—the most orthodox method in the Zhou Changes, classed alongside turtle-shell oracle. Grouping all other forms of "divination" under milfoil establishes the comprehensiveness of the Yi Yin system. |
| Taihao | Another name for Fuxi, the legendary sage credited with originating the Eight Trigrams, honored as the fountainhead of Change studies. |
Studies on the ethical function of divination: Contemporary scholarly discussions of "divination as a tool of moral cultivation" benefit from anthropological works on the social functions of divination, such as E. E. Evans-Pritchard's classic fieldwork among the Azande, alongside domestic studies on the relationship between Han dynasty divination and political ethics.
"One principle, manifold manifestations" and systems theory: The "threading all through with one principle" of this preface holds potential dialogue with contemporary concepts of "emergence" and "fractals" in system science. Relevant comparative research connects complexity science with traditional Chinese philosophy.
Modern transformations of divination: In recent years, cross-disciplinary inquiries into "decision science and traditional divination" have multiplied—particularly explorations of converting divination frameworks into risk analysis tools and decision-support models. Consult interdisciplinary journals in these areas.
Please translate the above content into English, preserving the original formatting and structure.