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Chapter 6 of 30
奇门遁甲秘笈大全
The "Nine Dun" are the collective designation of nine special configurations in Qi Men Dun Jia: Heaven, Earth, Human, Spirit, Ghost, Wind, Cloud, Dragon, and Tiger. The core principle lies in: the three auspicious gates (Open, Rest, Life) combined with the three wonders (Yi, Bing, Ding) and the six instruments. When specific combinations fall into specific palaces, and are further combined with specific divine spirits, they form temporal-spatial windows with special functions. The ancients believed that acting within these windows, as if shielded by the essence of sun and moon or bolstered by specific energies, could yield twice the results with half the effort.
Each of the Nine Dun governs specific matters: Heaven Dun favors concealment and disappearance, prayer and invocation; Earth Dun favors setting ambushes, scheming, construction, and concealment; Human Dun favors harmonious unions, wealth and celebrations, and winning lawsuits; Wind Dun favors wind-based fire attacks; Cloud Dun favors praying for rain and clouds, and raiding camps by surprise; Dragon Dun favors praying for rain and naval warfare; Tiger Dun favors suppressing evil, exorcising ghosts, attacking perilous positions, and exterminating bandit lairs; Spirit Dun favors sacrifices and deploying generals; Ghost Dun favors reconnaissance, espionage, and spreading rumors. The Nine Dun methods represent an advanced application guide for timing and direction selection in Qi Men Dun Jia.
Configuration Conditions: Any of the three auspicious gates—Open, Rest, Life—with the Heavenly Plate Bing Wonder positioned above the Earth Plate Ding Wonder; or positioned above the Earth Plate Nine Earth or Supreme Yin.
Energy Source: Receives the veil of lunar essence—the essential energy of the moon forms a concealment barrier.
Divine Spirit Coordination:
| Coordinated Spirit | Effect |
|---|---|
| Heavenly Moon Two Virtues, Heavenly Grace, Heavenly Pardon, Daily Prosperity, Joy Spirit | All matters auspicious, everything goes smoothly |
| Vermilion Bird | Favorable for writing documents, reporting to superiors, and presenting petitions |
| Hanging Serpent | Indicates doubts arising in profusion, prone to confusion |
| Azure Dragon | Indicates wealth fortune and joyous celebrations |
| White Tiger, Dark Warrior | Indicates disasters, illness, losses; minor matters difficult to be fully auspicious |
Special Applications: If practicing esoteric arts such as ritual offerings to Ding and Jia spirits, or summoning wind and rain, employing Heaven Dun yields complete auspiciousness.
Configuration Conditions: The three auspicious gates—Open, Rest, Life—combined with the Yi Wonder, positioned above the Earth Plate Six Harmony, Nine Earth, or Supreme Yin palace.
Energy Source: Receives the veil of solar essence—the essential energy of the sun forms a protective cover. Suitable for setting ambushes and strategic plotting; all matters auspicious.
Divine Spirit Coordination:
| Coordinated Spirit | Effect |
|---|---|
| Vermilion Bird | Only suitable for using deception and employing spies |
| Hanging Serpent | Suitable for bewitching and seduction activities |
| Supreme Constancy | Brings joy of feasts and banquets |
| Azure Dragon | Brings wealth and celebration |
| White Tiger | Indicates victory in competition |
| Dark Warrior | Indicates theft and probing of secrets |
| Hooking Ciliate | Indicates stagnation and being held back |
Special Applications: Those who attain the auspiciousness of Earth Dun should undertake construction, building, burial, and concealment activities—all will be greatly auspicious.
Configuration Conditions: Open, Rest, Life combined with the three wonders, positioned above the Earth Plate Six Harmony; or Life Gate combined with three wonders and positioned above Supreme Yin; or Life Gate and Yi Wonder positioned above the Nine Earth palace.
Energy Source: Receives the harmonious energy of human affairs, indicating assistance from noble persons and smooth interpersonal relations.
Divine Spirit Coordination:
| Coordinated Spirit | Effect |
|---|---|
| Daily Prosperity, Joy Spirit, Noble Spirit | Indicates wealth, celebration, and harmonious union matters |
| Vermilion Bird | Indicates winning lawsuits and legal disputes |
| Hanging Serpent | Indicates nightmares and evil hauntings |
| White Tiger | Absolutely avoid sailing by boat |
| Dark Warrior | Indicates danger from thieves |
| Heavenly Assistant, Heavenly Pillar Stars | Indicates rainfall |
| Heavenly Rush Star | Indicates thunder |
| Heavenly Brilliance Star | Indicates lightning |
Special Warning: When diagnosing illness and encountering Human Dun, it indicates that the patient's condition is critical.
Configuration Conditions: Open, Rest, Life combined with the Yi Wonder, positioned above Earth Plate Six Xin, landing in the Xun palace.
Energy Source: Receives the wind-wood energy; Xun is the proper position of wind.
Special Applications: When also carrying the Heavenly Rush and Heavenly Assistant stars, this direction can be used for wind-summoning rituals, but is unfavorable for sailing. When intelligence arrives, military operations benefit from fire attacks, achieving great victory.
Configuration Conditions: Open, Rest, Life combined with the Yi Wonder, positioned above the Six Xin palace; or Life Gate combined with Heavenly Docility, with Ren approaching the Kun palace; or the three auspicious gates combined with Six Xin positioned above Earth Plate Yi; or Heavenly Docility combined with Life Gate, positioned above the Earth Plate Nine Earth in the Kun palace.
Energy Source: Receives cloud-water energy; Kun is the great moist earth, Xin is yin metal, transformed into clouds.
Divine Spirit Coordination:
| Coordinated Spirit | Effect |
|---|---|
| White Tiger | Indicates hail |
| Hanging Serpent, Vermilion Bird | Indicates drought |
Special Applications: In winter months, suitable for praying for clouds; in summer months, suitable for praying for rain. In military operations, suitable for raiding camps—the enemy cannot detect it. Forcing matters invites fire disasters.
Configuration Conditions: Open, Rest, Life combined with the Heavenly Heart star, Jia Chen Ren, and Six Harmony in the Kan palace; or Rest Gate and Yi Wonder added to the Kun palace; or Open Gate and Wu Wu added to the Earth Plate Nine Earth; or Rest Gate and Ding Wonder positioned above the Earth Plate Nine Earth in the Kan palace.
Energy Source: Receives water-dragon energy; Kan is water, Ren is yang water ruling the dragon.
Special Applications: Prayers for rain at this direction will certainly be answered; naval warfare will certainly be victorious. If additionally receiving Azure Dragon, Dark Warrior, and Spirit Lord spirits, it indicates continuous heavy rain, but one must still guard against spies and thieves.
Configuration Conditions: Open Gate and Jia Shen Geng, positioned above the Earth Plate Dui palace; or Rest Gate and Yi Wonder added to the Earth Plate Six Xin in the Gen palace; or Life Gate and Xin added to the Earth Plate Yi in the Gen palace.
Energy Source: Receives tiger's might energy; Geng is fierce yang metal, Dui is the western White Tiger direction, Gen is the mountain and the tiger's dwelling.
Special Applications: This direction is suitable for wind-summoning rituals, suppressing evil, exorcising ghosts, and pacifying residences—all auspicious. Suitable for boating. Favorable for pacification operations, attacking perilous positions, and exterminating bandit lairs; advantageous for the guest side. If setting up camps or lying in ambush, the enemy dares not look directly.
Configuration Conditions: Open Gate and Yi Wonder combined with the Heavenly Heart or Heavenly Bird stars, positioned above the Earth Plate Nine Heaven in the Qian palace; or Life Gate and Bing Wonder combined with the Bird and Heart stars, positioned above the Earth Plate Nine Heaven palace.
Energy Source: Receives heavenly spirit energy; Nine Heaven is the ultimate yang and ultimate firmness spirit; Qian is heaven.
Special Applications: This direction is suitable for commanding spirits and deploying generals, executing strategies—spirits will secretly assist. In military operations, suitable for creating divine images, painting marks upon the three armies, and spirits will arrive. Even better for sacrificial rites—spirits will certainly come to receive offerings.
Prohibitions: If White Tiger Thunder Calamity and Robbery Calamity are present, indicates injury by lightning.
Configuration Conditions: Rest Gate and Heavenly Assistant with Six Xin, positioned above the Earth Plate Ding Wonder in the Gen palace; or Life Gate and Supreme Yin positioned above the Earth Plate Ding Wonder; or Life Gate and Nine Earth positioned above the Earth Plate Ding Wonder.
Energy Source: Receives yin-ghost hidden energy; Gen is the ghost gate, Ding Wonder is yin fire, Xin is yin metal; Supreme Yin and Nine Earth both belong to yin.
Special Applications: Suitable for pathfinding, scouting enemy positions, conducting espionage, and spreading rumors—the enemy cannot detect it, and their army's morale will be thrown into confusion.
Special Warning: If there are ghosts in the residence, one should write talismans to suppress them, which will be auspicious; other matters are unfavorable.
Transcending Spirits and Receiving Qi is the core method in Qi Men Dun Jia for handling calendrical issues. The twenty-four solar terms and the sixty jiazi cycle are not perfectly synchronized: the average duration of one solar term is approximately fifteen days, while the sixty jiazi rotates once every five days (one "hou" or period per five days)—inherent misalignment exists between the two.
"Transcending Spirits" (Chao Shen) refers to when the solar term has not yet arrived, but the cycle-head days (the Jia or Ji days) have already entered the ju range corresponding to that solar term. In this case, one should prioritize qi (actual climatic conditions), still using the current term's qi rather than its festival marker, and only begin using the new festival after exceeding nine days. "Receiving Qi" (Jie Qi) refers to when the qi has arrived first but the festival has not—one first uses the qi to welcome the arrival of the festival node.
In specific operation: Receiving Qi necessarily occurs before the intercalary month; Transcending Spirits must occur after the intercalary month. Before the intercalary month, the qi necessarily arrives first; after the intercalary month, the festival necessarily arrives first. Whichever arrives first, one must use that qi accordingly. This transcendence and reception constitute the core mystery of precise positioning in the Qi Men calendrical system.
If the intercalary month falls in the first, second, third, or fourth months, an intercalary ju must be arranged near the Great Snow solar term; if the intercalary month falls in the fifth, sixth, seventh, eighth, or ninth months, an intercalary ju must be arranged near the Grain in Ear solar term. This is because "exceeding is equivalent to falling short"—when the divergence between solar terms and the ganzhi cycle becomes too great, an intercalary adjustment must be employed to restore the balance of neutral harmony.
The rule for determining ju assignments: Jia and Ji days paired with Zi, Wu, Mao, You constitute the Upper Yuan; Yin, Shen, Si, Hai constitute the Middle Yuan; Chen, Xu, Chou, Wei constitute the Lower Yuan. This is the eternal established pattern. The ancients also said: "The festival and the qi together are neutral harmony." When Jia or Ji days with Zi, Wu, Mao, or You appear before the middle festival day, this is called "exceeding"—when exceeding, one Receives Qi. When they appear after the middle festival day, this is called "falling short"—when falling short, one Transcends Spirits. The entire system uses thirty days per month with intercalation as its measure, embodying the natural way of yin and yang waxing and waning.
Transcending Spirits and Receiving Qi is essentially a calendrical calibration system. Its core lies in: the mechanical cycle of the sixty jiazi (5 days × 3 yuan = 15 days as standard) and the astronomical reality of the twenty-four solar terms (approximately 15.218 days per term) contain small but cumulative deviation. Without adjustment, the longer the time passes, the more severely the ganzhi and solar terms fall out of sync. The fundamental purpose of Transcending Spirits and Receiving Qi is to establish dynamic equilibrium between the ganzhi system and the solar term system through the two means of "transcending" and "receiving."
Placing this logic in a modern context, Transcending Spirits and Receiving Qi closely resembles clock calibration. The sixty jiazi is like a mechanical clock, running at a fixed speed; the twenty-four solar terms are like an astronomical clock, calibrated to the sun's actual movement. The deviation between the two is like the accumulated error of a mechanical clock, requiring periodic "correction." The ancients used "transcending" (advancing ahead) and "receiving" (delaying behind) for adjustment—much like today's "leap second" mechanism ensuring synchronization between atomic time and astronomical time.
In Qi Men Dun Jia practice, this means the ju used must precisely correspond to the actual solar term. Selecting the wrong yuan (upper, middle, or lower) renders the entire chart incorrect—"a difference of a hair's breadth leads to an error of a thousand miles," as the saying goes.
Transcending Spirits and Receiving Qi reveals the ancient Chinese profound thinking on the nature of time: time is not singular and uniform in its flow, but rather the overlap of multiple rhythms. Astronomy, climate, and human affairs each have their own cadence; true "timely opportunity" (tian shi) is the point of convergence of these rhythms. The ancients did not forcibly standardize to one or the other, but rather designed elastic adjustment mechanisms to harmonize differences. This worldview of "harmony without uniformity" regarding time presents a striking contrast to the Western linear conception of time, offering modern people a valuable perspective for reexamining the plurality of temporality.
The Nine Spirits (also known as the Eight Spirits plus Supreme Constancy) form an important symbolic system in the Qi Men Dun Jia chart that operates in parallel with the Nine Stars and Nine Palaces. They represent energies of different natures and images of human affairs:
Grand Commander (Zhi Fu) is the chief among all spirits, with Five Elements attribute of fire, and is the utmost auspicious spirit. Wherever Grand Commander arrives, all evils disperse and all misfortunes become silent. However, Grand Commander fears the White Star of Venus (Geng metal) and avoids entering the tomb. Auspicious positions are not fully auspicious, and ominous positions become more ominous. Heaven begins with Jia, Earth begins with Zi; Jia Zi is the sovereign among the ten thousand things, hence all six Jia are named after Grand Commander.
Hanging Serpent (Teng She) is the qi of Ding fire but actually belongs to yin earth. Dui receives Ding. Its nature is soft but its words are poisonous; it exclusively governs matters of fright, the bizarre, fire demons, and bewitchment. Its position governs the Xun direction; it is also called the "Jade Maiden," being the spirit of the six Dings—the most efficacious among all yin spirits.
Supreme Yin (Tai Yin) is the yin metal of the west. Its nature favors concealment, obscurity, deception, and matters of concubines and women. Its position governs the Dui palace; Dui is the young maiden, where yin and yang reach their completion but fail to transform. Counting from Jia to Gui is the end of the sequence; from Zi to You is the exhaustion of the cycle. Hence it is named "Supreme Yin."
Six Harmony (Liu He) is the transformation of Jia wood—the yin wood of the east. Its nature is peaceful; it exclusively governs marriage, trade, matchmaking, and harmonious union matters. It is the younger sister of the six Jia, paired with Geng metal, being a wife carrying Geng's seed, returning as a bride to her family home. Its position governs the east; counting from Jia to Ji gives the number six, hence the name "Six Harmony."
Hooking Ciliate (Gou Chen) is the yang earth of the center. Its nature is stubborn and dull; it exclusively governs land, agriculture, and lawsuits. Counting from Jia to Wu gives the number five, counting from Zi to Chen also gives the number five. The Classic says, "Knowing three and avoiding five, three and five revolve repeatedly"—this fierce and obstinate qi should not be approached. Its position governs the Gen direction, hence the name "Hooking Ciliate."
White Tiger (Bai Hu) is Geng metal. It commands the might of the west; its spirit delights in killing; it exclusively governs warfare, slaughter, conflict, disease, death and mourning, and matters of the road. Xun is wind; wind follows the tiger. Its position governs the west. Counting from Jia to Geng gives the number seven, hence the name "White Tiger."
Vermilion Bird (Zhu Que) is the fire spirit of the south. It commands the wilds of the heavens; it exclusively governs the authority of civilization, managing the duties of speech, disputes, and documents. When it attains its proper position, documents and seals bring happiness; when out of season, it brings misfortune of right-and-wrong disputes and disturbances. Its position is in Bing; in heaven it is the spirit of the red bird, belonging to Bing fire, hence the name "Vermilion Bird."
Dark Warrior (Xuan Wu) is the essence of water. It commands the qi of the north; its spirit delights in plotting and harm; it exclusively governs thieves, robbers, and fugitives. Water governs the color black; receiving central yellow earth it becomes primal (yuan), hence the name "Dark Warrior" (also written as "Yuan Wu" / Primordial Warrior).
Nine Earth (Jiu Di) is Kun earth. Its nature delights in stillness; what it governs are matters of gentleness, compliance, humility, and respect. It also holds the authority of life and death, being a half-auspicious, half-inauspicious spirit. It fears being overcome and avoids entering the tomb. In spring and summer it brings life; in autumn and winter it brings killing. Kun receives Yi and Gui; counting from Yi to Gui gives the number nine, hence the name "Nine Earth."
Nine Heaven (Jiu Tian) is Qian metal. Its substance belongs to metal; Qian receives Jia and Ren. Its nature is firm and delights in movement. What it governs are matters of good name and just cause; when it executes its command there is no obstruction, being the most auspicious spirit. If one attains gates and wonders, ten thousand blessings converge; even without wonders, it is not inauspicious. It fears entering the tomb and losing strength. Counting from Jia to Ren gives the number nine, hence the name "Nine Heaven."
Supreme Constancy (Tai Chang) is the transforming qi of the Five Elements. Its spirit delights in singing and drinking; it exclusively governs banquets, sacrificial rites, clothing and silk, goats and geese, and matters of food and drink. This spirit follows the Heavenly Bird star in roaming through all directions—matching fire with fire, matching metal with metal, matching water with water, matching wood with wood, matching earth with earth. It joins with the five substances; its nature is not constant, hence the name "Supreme Constancy." When combined with auspicious gates, it is auspicious; when combined with inauspicious gates, it is inauspicious. It governs changes in clothing, betrothal gifts, and mourning garments.
The Nine Spirits system is the symbolic system through which Qi Men Dun Jia transforms abstract situational energies into concrete "deities." Each "spirit" is not a personified supernatural being, but rather a refined summary of a category of human affairs, psychological states, and energetic tendencies. For example, "White Tiger" represents the tendency toward conflict, competition, and injury; "Six Harmony" represents the energy of cooperation, marriage, and contracts; "Hanging Serpent" represents the atmosphere of doubt, disturbance, and lack of clarity. The core value of the Nine Spirits lies in: after the specific configuration is determined, they imbue that configuration with flavor and tendency at the level of human affairs.
| Nine Spirits | Modern Corresponding Situations |
|---|---|
| Zhi Fu (Value Symbol) | Authoritative figures, core leaders, decision-making hubs, mainstream forces |
| Teng She (Flying Serpent) | Rumors, anxiety, uncertain information in online public opinion, psychological distress |
| Tai Yin (Great Yin) | Secret projects, private matters, behind-the-scenes planning, elder women or young girls |
| Liu He (Six Harmonies) | Cooperation and negotiation, marriage and romance, contract signing, intermediary platforms |
| Gou Chen (Curved Array) | Land and property disputes, litigation entanglements, rigid situations, old unresolved matters |
| Bai Hu (White Tiger) | Conflict and confrontation, surgery and injury, traffic accidents, competitors |
| Zhu Que (Vermilion Bird) | Documents and contracts, speeches and presentations, media coverage, academic papers |
| Xuan Wu (Dark Warrior) | Theft and fraud, gray-area transactions, flight and disappearance, covert operations |
| Jiu Di (Nine Earths) | Grassroots, defense, building momentum, forbearance, silence |
| Jiu Tian (Nine Heavens) | Upper echelons, expansion, public declarations, forceful action |
| Tai Chang (Great Constancy) | Banquets and dining, celebrations and rituals, attire and etiquette, cultural traditions |
The Nine Spirits system reflects the Chinese cultural mode of thinking known as governing complexity through archetypes. The ancients recognized that beneath the bewildering diversity of human affairs lie several fundamental patterns of dynamic force. Rather than analyzing each situation individually, they distilled a set of core "archetypes" and used their combinations to grasp specific circumstances. This bears striking resemblance to Jungian psychology's "theory of archetypes"—the Nine Spirits are, in effect, an ancient Chinese system of situational archetypes. Each "Spirit" corresponds to a fundamental pattern in humanity's collective unconscious, and the wisdom of Qi Men Dun Jia lies in teaching people how, when confronting different archetypal energies, to pursue good fortune, avoid harm, and flow with the circumstances.
The Twenty-Four Solar Terms represent a great creation of ancient astronomical calendrics, dividing the sun's apparent annual motion into twenty-four equal divisions, with each term spanning fifteen degrees. Each month contains two qi: one is a "node" (jie) and one is a "vapor" (qi/zhong qi). In the first month, Beginning of Spring is the node and Rain Water is the vapor; in the second month, Awakening of Insects is the node and Spring Equinox is the vapor; in the third month, Pure Brightness is the node and Grain Rain is the vapor; in the fourth month, Beginning of Summer is the node and Grain Full is the vapor; in the fifth month, Grain in Ear is the node and Summer Solstice is the vapor; in the sixth month, Slight Heat is the node and Great Heat is the vapor; in the seventh month, Beginning of Autumn is the node and Limit of Heat is the vapor; in the eighth month, White Dew is the node and Autumn Equinox is the vapor; in the ninth month, Cold Dew is the node and Frost's Descent is the vapor; in the tenth month, Beginning of Winter is the node and Light Snow is the vapor; in the eleventh month, Heavy Snow is the node and Winter Solstice is the vapor; in the twelfth month, Slight Cold is the node and Great Cold is the vapor.
These twenty-four qi form the fundamental basis for determining the bureau arrangements in Qi Men Dun Jia. Each solar term is divided into upper, middle, and lower yuan, each lasting five days, corresponding to different bureau numbers. The distinction between node and vapor is crucial in Qi Men: the node (jie) marks the turning point of seasonal transition; the vapor (qi) marks the center of gradual climate change. Only when the two are combined can the waxing and waning of yin and yang be accurately determined.
The Twenty-Four Solar Terms constitute the temporal framework of Qi Men Dun Jia. Without solar terms, there would be no basis for selecting a bureau; without bureaus, the entire Qi Men system could not function. The ancients transformed astronomical observation into an operable calendrical system, enabling Dun Jia divination to unfold within a precise temporal framework. The Twenty-Four Solar Terms mark not only climatic change but also the dynamic process of yin and yang energy alternating in ascendancy and decline.
The Twenty-Four Solar Terms retain strong vitality in the modern era: they serve not only as a reference for agricultural production (such as "around Pure Brightness, plant melons and beans") but have become a cultural coordinate for modern people to perceive the changing seasons and adjust the rhythm of their lives. In Qi Men Dun Jia application, the core value of solar terms lies in providing an objective, unified spatiotemporal yardstick—regardless of what matter is being divined, one must first determine which solar term, which yuan, and which bureau the present moment falls into before proceeding with subsequent analysis.
The Twenty-Four Solar Terms embody a cyclical rather than linear conception of time. The annual cycle of solar terms is not a simple repetition but a distinct manifestation of yin-yang waxing and waning within each particular year. This resonates with the concept of "spiral cycles" in modern physics: although things appear to repeat, each cycle contains subtle variations. Within this temporal worldview, human life is not a one-way straight line but a spiral ascent nested within larger cycles. Understanding the solar terms is, in essence, understanding the rhythm of life itself.
Tian De auspicious days are days of auspicious spirits calculated by the earthly branch of the month. The mnemonic verse states: "First month Ding, second month Kun-Shen day, third month Ren, fourth month Xin together, fifth month Gan-Hai day, sixth month Jia above, seventh month Gui, eighth month Gen-Yin day encountered, ninth month Bing, tenth month resides in Yi, eleventh month Xun-Si day, twelfth month Geng-Shen." That is: in the first month, Tian De falls on Ding days; in the second month, on Kun-Shen days; in the third month, on Ren days; in the fourth month, on Xin days; in the fifth month, on Gan-Hai days; in the sixth month, on Jia days; in the seventh month, on Gui days; in the eighth month, on Gen-Yin days; in the ninth month, on Bing days; in the tenth month, on Yi days; in the eleventh month, on Xun-Si days; in the twelfth month, on Geng-Shen days.
Yue De auspicious days are based on the three-harmony groups: "First, fifth, and ninth months reside in Bing; second, sixth, and tenth months in Jia; third, seventh, and eleventh months in Ren; fourth, eighth, and twelfth months in Geng." That is, in Yin-Wu-Xu months (first, fifth, and ninth months), Yue De falls on Bing; in Hai-Mao-Wei months (second, sixth, and tenth months), on Jia; in Shen-Zi-Chen months (third, seventh, and eleventh months), on Ren; in Si-You-Chou months (fourth, eighth, and twelfth months), on Geng.
Both Tian De and Yue De are supremely auspicious spirits. On days governed by them, all affairs are favorable. Tian De represents the virtue and grace of heaven; Yue De represents the protection of the monthly order. When the two combine, it forms the most auspicious coordination in day selection.
Tian De and Yue De are the two foremost auspicious spirits in the ancient day-selection system. Together they represent a state of energy in which "virtuous fortune descends upon one": Tian De is like heaven's profound virtue carrying all things; Yue De is like the moon's hidden grace protecting all beings. In Qi Men Dun Jia, if Tian De and Yue De combine with the Nine Dun transformations, Three Wonders, or auspicious gates, the fortune is compounded; even in unfavorable configurations, the presence of Tian De and Yue De can mitigate some of the danger.
The essence of Tian De and Yue De lies in identifying the optimal resonance points of stem-branch energies within a given month. From a modern perspective, this is akin to finding the time windows in which environmental energy and personal action are in greatest harmony. Choosing to initiate important matters (such as signing contracts, opening businesses, weddings, relocations) on Tian De or Yue De days is an attempt to leverage this resonance, reducing resistance and increasing smoothness.
The Tian De and Yue De system reflects the ancient belief that "the virtuous attain" (de zhe de ye): true good fortune arises not merely from clever choice of time and place but from the accumulation of personal virtue. The ancients believed that the virtuous naturally resonate with the assistance of Tian De and Yue De, while the virtue-less, even occupying auspicious days, struggle to benefit from them. This unification of moral cultivation with spatiotemporal selection embodies the fundamental spirit of Chinese numerology—that "technique and virtue are inseparable"—and reveals that the highest form of day selection is the cultivation of virtue itself.
The Five Talismans Method is a system in which the monthly general is placed on the first month's establishment (first month establishes Yin), then counted sequentially forward to the day's salary position, where the Five Talismans begin, followed by the arrangement of the Eleven Spirits in sequence. The arrangement is as follows:
Taking a Jia day as an example: Jia's salary position is Yin. Five Talismans is placed on Yin, Heaven's Office on Mao, Earth's Talisman on Chen, Wind Earl on Si, Thunder Duke on Wu, Rain Master on Wei, Wind and Cloud on Shen, Tang Talisman on You, National Seal on Xu, Heaven's Official on Hai, Earth's Axis on Zi, and Heaven's Thief on Chou.
The Eleven Spirits each govern different human affairs:
| Spirit | Five Elements | Fortune/Misfortune | Governed Matters |
|---|---|---|---|
| Five Talismans | Fire | Auspicious | Audiences with nobles |
| Heaven's Office | Metal | Neutral | Legal disputes and litigation |
| Earth's Talisman | Earth | Half auspicious, half inauspicious | Seeking refuge and concealment |
| Wind Earl | Wood | Inauspicious | Frightening events |
| Thunder Duke | Wood | Inauspicious | Frightening events |
| Rain Master | Yang Water | Neutral | Rain during travel |
| Wind and Cloud | Yin Wood | Neutral | Mixed cloud and clear weather |
| Tang Talisman | Metal | Auspicious | Profit in seeking wealth |
| National Seal | Metal | Auspicious | Promotion and advancement |
| Heaven's Official | Wood | Inauspicious | Obstruction and lack of progress |
| Earth's Axis | Yin Earth | Inauspicious | Instability and indecision |
| Heaven's Thief | Yin Water | Inauspicious | Theft and loss |
The Five Talismans Method is a spirit arrangement system anchored on the salary position. The salary position (lu wei) is the day stem's provisional office position, representing the pinnacle state of one's personal energy. Placing the Five Talismans at the salary position means using one's optimal state as the starting point from which to deduce the fortune and misfortune of subsequent phases. This embodies the day-selection philosophy of "self as locus, time as aid"—first locate the strongest point of one's own energy, then use it as the benchmark for measuring the external environment.
The modern meaning of the Five Talismans Method can be understood as a tool for assessing personal fortune rhythms. Mapping the Twelve Spirits to a sequence of situational states—from "audience with nobles yields assistance" (Five Talismans), to "legal entanglement" (Heaven's Office), to "profit in seeking wealth" (Tang Talisman), to "promotion within reach" (National Seal)—forms a complete curve of fortune trajectory. Initiating important matters when occupying the Tang Talisman or National Seal positions is akin to acting at the optimal matching point between one's energy and external timing, naturally yielding a higher rate of success.
The design of the Five Talismans Method, beginning with the "salary" position, reveals a profound insight: fortune and misfortune lie not in heaven alone, but in the resonance between heaven and the individual. The same day carries different meanings for different people. Philosophically, this can be understood as an assertion of subjectivity—the truly auspicious time is one in which personal energy and cosmic energy resonate in sync. It also reminds modern people: rather than blindly pursuing "good days," one should first understand one's own rhythm and find the "good days" that truly belong to oneself.
Huang En Sha is fixed by the four seasons: "First, fifth, and ninth months in Xu; second, sixth, and tenth months in Chou; third, seventh, and eleventh months in Chen; fourth, eighth, and twelfth months in Wei." That is, in Yin-Wu-Xu months, it falls on Xu days; in Hai-Mao-Wei months, on Chou days; in Shen-Zi-Chen months, on Chen days; in Si-You-Chou months, on Wei days. Days governed by this Sha are unfavorable for seeking office, submitting memorials, or facing the sovereign.
Yue Yan Sha is arranged in retrograde order by month branch: "First month Xu, second month You, third month Shen, fourth month Wei, fifth month Wu, sixth month Si, seventh month Chen, eighth month Mao, ninth month Yin, tenth month Chou, eleventh month Zi, twelfth month Hai." Yue Yan is the month's spirit of dalliance and allure. The direction opposite to it (its direct counterpart) is likewise unusable. Days governed by Yue Yan are unfavorable for weddings, travel, sacrifices, and other auspicious activities.
Huang En Sha and Yue Yan Sha belong to the system of prohibitions—their existence serves to remind people that not every day is suitable for every undertaking. If some days favor certain affairs, then inevitably other days do not. The purpose of taboos is not to create fear but to provide an additional dimension of reference when people face complex choices.
Huang En Sha can be understood as an unfavorable day for authority relationships: handling matters involving superiors, government, or institutions on such days tends to encounter resistance or misunderstanding. Yue Yan Sha, by contrast, can be understood as a period of lowered interpersonal magnetism—ill-suited for weddings, public events, and occasions requiring harmonious participation by many. Modern people may treat them as exclusionary factors in scheduling important affairs rather than as absolute prohibitions.
The deeper philosophy of the taboo system is: by knowing what not to do, one enables what must be done. Recognizing that certain times are unsuitable for certain actions is itself a form of wisdom. This resonates with the modern management concept of "opportunity cost"—choosing to do something on a particular day necessarily means forgoing the possibility of doing it on another. Knowing when to avoid is precisely the means of focusing one's limited energy on the most opportune moment.
The Hong Fan Five Elements Song is a mnemonic verse for calculating the numerical attributes of stems and branches (numerological Five Elements):
Jia, Ji, Zi, Wu — nine, Yi, Geng, Chou, Wei — eight, Bing, Xin, Yin, Shen — seven, Ding, Ren, Mao, You — six, Wu, Gui, Chen, Xu — five, Si, Hai — four as the end.
This verse assigns numbers to each heavenly stem and earthly branch, with the corresponding relationships:
| Stem/Branch | Number |
|---|---|
| Jia, Ji, Zi, Wu | Nine |
| Yi, Geng, Chou, Wei | Eight |
| Bing, Xin, Yin, Shen | Seven |
| Ding, Ren, Mao, You | Six |
| Wu, Gui, Chen, Xu | Five |
| Si, Hai | Four |
These numbers are not arbitrarily assigned but derive from the numerological system of the He Tu (River Chart) and Luo Shu (Luo Writing). In Qi Men Dun Jia, the Hong Fan Five Elements numbers are used to calculate the deep numerological properties of chart configurations, judge the waxing and waning of the Five Elements, and in certain special divinations, compute the number of days until a predicted event materializes.
The essence of the Hongfan Five Elements Numbers is to quantify the Heavenly Stems and Earthly Branches, granting the originally qualitative five-element relationships (generation, overcoming, prosperity, and decline) a calculable mathematical foundation. With numbers, one can perform arithmetic operations such as addition, subtraction, multiplication, and division, deriving increasingly refined conclusions. In the history of Chinese divination arts, this represents an extremely significant methodological breakthrough, marking the leap from purely qualitative analysis to quantitative analysis.
The Hongfan Five Elements Numbers can be likened to a "mathematical model" within traditional divination. Just as modern science uses numerical modeling to predict weather and financial trends, the ancients used the Hongfan Five Elements Numbers to calculate the strength of energies and degrees of fortune or misfortune. Although the underlying assumptions of this model differ from those of modern science, its way of thinking—"using quantitative means to handle complex systems"—is consistent with the spirit of modern systems science.
The Hongfan Five Elements Song reveals the ancient Chinese cognitive paradigm of "the unity of image and number": all things possess both their image (form, nature) and their number (quantity, rhythm). Image and number are not two separate systems but two aspects of the same entity. This cognitive paradigm resonates with the Pythagorean school's philosophy of "all things are numbers," demonstrating a profound resonance between Eastern and Western ancient civilizations at the level of mathematical philosophy.
The Huntian Jiazi Song, also known as the "Sixty Jiazi Nayin," pairs the sixty Jiazi into thirty categories of Nayin Five Elements:
Jiazi Yichou: Metal in the Sea, Bingding Maoyou: Fire in the Furnace, Wuchen Jisi: Great Forest Wood, Gengwu Xinwei: Earth by the Roadside, Renshen Guiyou: Sword-Edge Metal, Jiaxu Yihai: Fire on the Mountain Top, Bingzi Dingchou: Water Under the Ravine, Wuyin Jimao: Earth on the City Wall, Gengchen Xinsi: White Wax Metal, Renwu Guiwei: Willow Wood, Jiashen Yiyou: Spring Well Water, Bingxu Dinghai: Earth on the Roof, Wuzi Jichou: Thunderbolt Fire, Gengyin Xinmao: Pine and Cypress Wood, Renchen Guisi: Flowing River Water, Jiawu Yiwei: Metal in the Sand, Bingshen Dingyou: Fire at the Foot of the Mountain, Wuxu Jihai: Flat Ground Wood, Gengzi Xinchou: Earth on the Wall, Renyin Guimao: Gold Leaf Metal, Jiachen Yisi: Lamp Fire, Bingwu Dingwei: Water of the Heavenly River, Wushen Jiyou: Grand Post Station Earth, Gengxu Xinhai: Ornamental Hairpin Metal, Renzi Guichou: Mulberry Wood, Jiayin Yimao: Water of the Great Stream, Bingchen Dinsi: Sand Earth, Wuwu Jiwei: Fire in the Sky, Gengshen Xinyou: Pomegranate Wood, Renxu Guihai: Great Ocean Water.
The Nayin Five Elements hold significant applications across various divination systems, including Four Pillars astrology, Qimen Dunjia, and Six Lines divination. The fundamental principle is: each pair of stems and branches generates a specific five-element "tone," just as musical notes differ in pitch and clarity, so too do the five elements differ in depth and rigidity. Thus, though all are Metal, there are distinctions among Metal in the Sea, Sword-Edge Metal, White Wax Metal, Gold Leaf Metal, and Ornamental Hairpin Metal, each with its own nature and imagery.
The Nayin of the Sixty Jiazi is an extraordinarily sophisticated "five-element refinement system" in Chinese divination arts. The traditional five elements (Wood, Fire, Earth, Metal, Water) provide only the coarsest classification framework, insufficient to precisely distinguish the unique energetic qualities of each of the sixty Jiazi. The Nayin system further subdivides each element into six distinct "timbres," each corresponding to different natural phenomena. This refinement greatly expands the information-carrying capacity of the stem-branch system, allowing for more precise capture of the energetic characteristics of different spatiotemporal cross-sections.
The Nayin Five Elements can be compared to the fine structure in modern spectroscopy: light that appears uniformly "red" can actually be subdivided into countless different wavelengths. The Nayin system similarly subdivides "Metal" into Metal in the Sea (submerged metal), Sword-Edge Metal (sharp metal), White Wax Metal (pliant metal), Gold Leaf Metal (thin metal), and Ornamental Hairpin Metal (fine metal), each with its unique "spectral signature" and applicable contexts.
The beauty of the Nayin system lies in its use of "sound" as a metaphor, comparing the generation and overcoming cycles of the five elements to musical harmony. Each stem-branch combination has its own "timbre," and the sixty Jiazi constitute sixty distinct musical pitches. When different "sounds" meet, some resonate harmoniously while others clash discordantly. This suggests that there exists a music-like order among all things in the universe—where harmony and conflict are both meaningful "movements." This philosophy of likening the universe to music can be traced back to the Record of Music (Yueji) in China and can be found in Kepler's theory of the "music of the spheres" in the West—truly among the most romantic intellectual achievements in the history of civilization.
| Concept | Description |
|---|---|
| Qimen Dunjia | One of the three great ancient secret arts; a decision-making system using time and space as warp and weft, integrating astronomy, calendrics, yin-yang, five elements, eight trigrams, nine palaces, eight gates, nine stars, and eight spirits |
| Three Marvels and Six Instruments | Yi (乙), Bing (丙), Ding (丁) are the Three Marvels; Wu (戊), Ji (己), Geng (庚), Xin (辛), Ren (壬), Gui (癸) are the Six Instruments; the fundamental symbols for constructing a Qimen chart |
| Eight Gates and Nine Stars | Rest (开), Leisure (休), and Life (生) are auspicious gates; Hurt (伤), Obstruction (杜), Scenery (景), Death (死), and Shock (惊) are inauspicious gates; Tianpeng, Tianrui, Tianchong, Tianfu, Tianqin, Tianxin, Tianzhu, Tianren, and Tianying are the nine stars |
| Chao Shen Jie Qi | The calendar correction system of Qimen, ensuring precise correspondence between the sixty Jiazi and the twenty-four solar terms |
| Nayin Five Elements | The pairing of sixty Jiazi into thirty categories of refined five elements; an important component of the stem-branch system |
| Hongfan Five Elements Numbers | A numerical expression system for stems and branches, derived from Heluo numerological principles |