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Chapter 35 of 64
东坡易传
The Jin Hexagram symbolizes advancement and progress: like a Duke of Peace (Kang Hou) receiving numerous fine horses gifted by the Son of Heaven, and being granted audience three times in a single day. 🔥
The Tuan Zhuan says: Jin means advancement. Brightness rises from the earth (🔥Li Fire above ☷Kun Earth), the yielding attaches itself to the great brilliance, and the yielding lines gradually ascend. It is precisely for this reason that it is said: "The Duke of Peace, with gifted horses in abundance, received three audiences in a single day."
Su Dongpo's commentary: The Jin Hexagram takes Li Fire as the ruler and Kun Earth as the minister. Kun Earth is vast and profound—it represents not merely an ordinary minister, but figures of the feudal lord (zhuhou) rank. Hence the term "Kang Hou" (Duke of Peace), meaning the ruler uses this hexagram to pacify and stabilize the feudal lords. Kun is yielding and Li is brilliant—advancing with a gentle and compliant posture toward brightness, no one will oppose or reject such advance, hence the term "gifted horses." Horses are the driving force of advancement; gifting horses and allowing them to multiply signifies greatly commending one's spirit of enterprise. Receiving three audiences in one day expresses the utmost delight in their allegiance. 🏇
Brightness rises from the surface of the earth—this is the image of the Jin Hexagram. The noble person contemplates this image and must illuminate their own virtue. 🌅
Initial Six: Advancing encounters rejection and obstruction; perseverance brings good fortune. When trust has not yet been gained, remain magnanimous and relaxed, and in the end there will be no misfortune.
Dongpo's commentary: The three yin lines of the lower trigram all wish to advance upward toward Li Fire, but Nine in the Fourth position occupies the critical pass, attempting to possess all three at once—the others do not consent. Initial Six and Nine in the Fourth are proper counterparts. If Initial Six leads the crowd to attach themselves to Four together, the others will jostle and repel. Initial Six advancing alone to attach itself to Four is correct; leading the crowd is not correct. Maintaining solitary advancement without dragging along the masses, one attains correctness, hence the statement "perseverance brings good fortune." Though I maintain correctness, the masses may not yet trust me, so one should first remain magnanimous, and thereafter there will be no blame. Magnanimity before absence of blame arises because at that time the masses have not yet accepted my guidance. 🌱
Six in the Second: Advancing amid anxiety and sorrow; perseverance brings good fortune. One shall receive great blessing from one's kingly mother.
Dongpo's commentary: Six in the Second wishes to advance and correspond with Six in the Fifth, but Nine in the Fourth seeks to seize it from the middle, hence "advancing, yet anxious." I maintain the correct path; though Nine in the Fourth obstructs, in the end it cannot obscure forever, hence receiving blessing from the kingly mother. Six in the Fifth is the kingly mother (occupying the honored position with yin), and because it is the kingly mother, Six in the Second, though a yin line, may rightly be ascribed to it. 💧
Six in the Third: Gaining the trust of the masses; regret disappears.
Dongpo's commentary: Six in the Third wishes to advance and attach itself to Nine at the Top, yet it is near Nine in the Fourth, so it naturally harbors regret. Although it is adjacent to Four, the masses trust that it does not collude with Four, hence "regret disappears." [Translator's note: The original text for this line reads "无允" (wu yun), but following the traditional received text of the Zhou Yi and Dongpo's commentary which states "the masses trust that it does not collude," the reading "众允" (zhong yun, gaining the masses' trust) is correct—the character "无" is likely a scribal error for "众" due to graphic similarity.]
Nine in the Fourth: Advancing like a marmot (shi shu); even perseverance brings danger.
Dongpo's commentary: One who seeks to obtain what is not necessarily obtainable is like a marmot. Six in the Second and Six in the Third—these are not what it rightfully deserves. Because they pass by its position, it seeks to possess them all at once, but the masses do not comply, hence "advancing like a marmot." Nine in the Fourth possessing Initial Six is a proper correspondence; what is not a proper correspondence naturally cannot be obtained. Yet even the proper counterpart remains in peril—this is due to improper position. 🐀
Six in the Fifth: Regret disappears. Neither loss nor gain need cause concern; advancing brings good fortune—nothing is unfavorable.
Dongpo's commentary: Nine in the Fourth seizes its counterpart (Six in the Second)—this is regret. However, the masses do not side with Four, hence "regret disappears." With the honored position of Six in the Fifth descending to contend with Nine in the Fourth, its posture appears constrained, hence though it loses what it should rightfully have, one should "not be concerned"; advancing brings good fortune. Descending to contend with Four, there must be something coming toward it; what comes is contention, so what advances is the ultimate non-contention. When the Fifth does not contend, how dare Four hold on? Therefore what it has lost will in the end inevitably be regained. If in the end it can be regained, then the path of non-contention is not merely beneficial to Four. 🌞
Nine at the Top: Advancing to the extremity of the horn—one should only attack one's own city; after peril comes good fortune, without blame, yet even in correctness there is regret.
Dongpo's commentary: The strong line at the topmost extreme is the horn (the highest sharpest point). "Advancing its horn" means using the horn as a means of advance. Using the horn as advancement inevitably requires the use of its goring function. Six in the Third is my proper counterpart; Nine in the Fourth obstructs it, so what Nine at the Top attacks is Four. Four and Top are both within the upper trigram Li, hence it is called "the city" (yi). When people within one's own city block one's counterpart, and it cannot be resolved through commands but requires military force, this shows that the way of righteousness has not been greatly manifested. This path is proper, yet it is a path of regret. Hence knowing the danger and remaining vigilant, then good fortune follows, and one may be without blame. ⚔️
[Translator's note: Collation notes indicate that the original text "吾应也" (my counterpart) was erroneously written as "五应也" (the counterpart of the Fifth) in the Su Shi Yi Zhuan. According to the line relationships, Nine at the Top properly corresponds with Six in the Third, not Six in the Fifth. This correction is made on the basis of reasoning.]
The core of the Jin Hexagram is the path of advancement under the illumination of brightness. 🔥☀️
The Jin Hexagram offers strong mapping for contemporary careers, business endeavors, and life advancement:
| Line | Hexagram Meaning | Modern Scenario Equivalent |
|---|---|---|
| Initial Six | Advancing alone, no faction-building | New hire rising on merit rather than aligning with factions |
| Six in the Second | Anxiety within, perseverance leads to support | Mid-level manager avoiding politics and favoritism, earning recognition from higher levels |
| Six in the Third | Gaining broad trust | Team consensus protects you even when proximate to controversial figures |
| Nine in the Fourth | Greed for everything, improper position brings danger | Mid-level manager overstepping authority and claiming undeserved credit, facing resistance from above and below |
| Six in the Fifth | The contention of non-contention, unconcerned with loss or gain | Senior leader displays magnanimity, unconcerned with momentary gains or losses |
| Nine at the Top | Using force at the extreme, attacking the city harms oneself | Pushing through to the end, over-expansion, inevitable regret |
Application suggestions for modern scenarios:
The Jin Hexagram embodies a profoundly sophisticated dialectic of "advancement and restraint" in Eastern philosophy:
Related Concepts
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